Lady Gaga To Headline The Super Bowl Halftime Show

They also roar phrases like "triple iced almond latte, please" and "organic pomegranate kombucha has just the right amount of tartness and probiotics" in the clip.

Korn's upcoming 12th album The Serenity Of Suffering is released on October 21 via Roadrunner Records. Slipknot frontman Corey Taylor guests on the track A Different World, with Shaffer previously saying: "We have Corey singing on one track and it's going to be a fan favorite, because he really lets loose.

In a light-hearted interview with Little Punk People, Windstein says: "I go open the door and there's nobody there. I went back and sat in the chair and when I did I happen to glance over my right shoulder and there's a doorway there...I saw somebody walk down the hall real quick.

Carpenter created the original in 1978 and Zombie oversaw a 2007 remake, then later said that Carpenter had been "very cold" to him when they discussed the project.

Speaking to film students recently, Carpenter said: "Nothing could be further from the truth. I said, 'Make it your own movie, man. This is yours now. Don't worry about me.' I was incredibly supportive. Why that piece of sh*t lied, I don't know."

That same year she released the EP Mine. That record's title track was featured in the film How To Be Single starring Rebel Wilson and Dakota Johnson.

"Been workin in the studio, wanted to share this song I just wrote with u guys," Niall tweeted by way of introduction."Thank you for always being there."

Sia's latest single "The Greatest" featuring Kendrick Lamar, and her hit single "Cheap Thrills" featuring Sean Paul on the remix both made the new cut. Besides four other tracks, the deluxe album will also include a solo version of "The Greatest."

The band's debut album The Sickness was released in 2000, as Limp Bizkit, Papa Roach and Linkin Park were riding the crest of the nu-metal wave. Wengren tells Westword: "I don't think we were ever a nu-metal band to begin with. I just think we happened to come out around the same time.

The album was released last week and features DuVall, Brent Hinds of Mastodon and Ben Weinman of The Dillinger Escape Plan, alongside Dethklok's Pete Griffin and former The Mars Volta member Thomas Prigden.

And referencing the title track, DuVall says he had to get into a different way of thinking while laying down the lyrics. He tells Rolling Stone: "What I loved about that is it forced me to throw out the standard-issue Rock 101 songwriting handbook. It forced me to write almost as if I were working on a theatrical production. 'Here's a mood swing here, there's a mood swing there.'

"It's really rapid-fire. That was part of my mandate. I hoped to provide a lifeline to the listener - to take them through the storm, and navigate them through the waters when it gets choppy. And it does get choppy.

And the frontman says he was ready to retire from music until Ranger issued a call to arms, urging him to take his rebellious message to the masses. Snider tells the new episode of Metal Hammer: In Residence: "I was really calling it a day and walking away when I was approached by a top award-winning producer named Damon Ranger who challenged me to make a new record that would take the Dee Snider message and get it to a much bigger audience.

The guitarist says that, with a back catalogue of around 80 songs, he sometimes needs to remind himself how certain parts are played. And he takes to YouTube to watch tutorial videos of fans showing others how to play Mastodon tracks.

The trio say: "No mirrors were harmed in the making of this video. Just kidding - one was indeed completely destroyed. Special thanks to Tommy and Lisa Barrett for the Louisville Slugger bat!

Degeneres made the announcement on Twitter ("The bad news is I'm sick & can't tape my show today") and thanked Cyrus for filling in. At the taping, the 23-year-old singer danced onto the TV set clothed in a jeans jacket and joked, "I'll admit I'm a little bit nervous because I've never hosted a show with my clothes on before, so this is so weird."

Nathan Keyes will play Timberlake, Clayton Chitty will take on the role of Spears' ex-husband Kevin Federline, Nicole Oliver will be Britney's mom Lynne Spears, and Matthew Harrison will play her father, Jamie Spears.

The as-yet-untitled series is being produced by Warner Bros' digital studio Blue Ribbon Content in partnership with Amuse Group USA and is described as a "hybrid live-action and animated project."

I was listening to a lot of James Brown around the time I wrote "Superphonic," and constantly walking around with his music in my head--not necessarily any song in particular, but just different grooves of his. I knew I wanted to write something upbeat and funky, but I didn't want it to be just an instrumental James Brown imitation. I started messing with this groove on the clarinet, and realized that once I took vocals out of the equation and pushed the tempo a bit, the song sorta takes on a Headhunters kind of vibe too (which I like). Rather than just drop from the (a) section straight into the (b) section, I wanted to include some sort of cool transition lick. This tune is a great example of me trying to get out of my creative box with writing; I tried some techniques that I don't (or didn't at the time) often use. So I threw in a very tight lick to go from section (a) to section (b). The (b) section has a disco-ish drum groove that I love, but I wanted to do more than just sit on that chord. I wanted that part of the song to sound like some sort of a happy funk-party anthem or something.

I'm not a religious person at all, but at the time I had a weekly church gig that took up a lot of my free time and energy. I'd spent all afternoon for a few days messing with this original song when I should have been working on music for that week's service. The bridge melody came to me just as I had to leave for a church rehearsal, and I was really nervous to lose the idea during the 30 minute car ride, and then during the 2 hour rehearsal. When I arrived, I was scrambling to jot down the melody, and literally every free second I had during rehearsal was spent jotting it down. Whenever the director would stop the band to instruct the vocals on something, I was furiously scrambling to write down chords and melody before it escaped me. Once it was all down on paper, I was relieved and then spent the next day or so fine tuning it. I was pretty happy with it because it sounded funky, it was different than anything I'd written up to that point, it reflected some of my James Brown/Herbie Hancock influences without being a straight rip-off, and I knew it would stand on its own even without horns. That said, I was incredibly excited to show this to our trumpet player Gabe Mervine, who did the horn arrangements for the record. I didn't have to give him much instruction, he pretty much nailed it. The only thing it needed was a title, and "Superphonic" was a word our drummer Eric Imbrosciano jokingly threw out during rehearsal. I thought it sounded cool, so I decided to call the song "Superphonic," only to find out later that it's some sort of drum company or something. So, I guess we sold out before we even got started.