Anthrax's Scott Ian Left Ugly Impression On Fellow Guitarist

Ozzy started the discussion with: "I try, but I end up sending the wrong message to the wrong person. I can't work a bloody digital watch, never mind a phone."

Jack further explains: "He once sent Robert Plant a text message like, 'I can't find the cat.'" Ozzy says Plant replied with an obviously confused message of his own.

Fifth Harmony was performing in Auditorio Banamex when a young man wearing a bright blue shirt rushed at Brooke and started to hug her. A security guard pulled the fan off Brooke, but he wouldn't let go right away and pulled her hair as he was dragged away. Because he clung so tightly to her, she lost her balance when the guard finally yanked him off and fell to the stage.

Brooke didn't let the moment stop her. If anything, she went right back into performing, introducing the group's awesome guitarist who let loose a solo.

The five minute song is an experiment in pop and electronic music, moving far past the traditional three-minute mark. "Remember when we met?/ We fell in love on a Sunday/ Yeah, I'll never forget/ The way that you spelled my name/ It took me a year/ To find a new attraction/ My hope and my fear is human interaction," lead singer Ryan Tedder sings in the opening verse, before he segues into a chorus about craving automatic and artificial love.

Mill claims that other rappers are jealous of his relationship with girlfriend Nicki Minaj. He used the verse to take a clear shot at Drake. "All this Cash Money got me stunting like I'm Baby / Posted up with Nicky, that's when it get tricky / N�� in they feelings, that's when it get Drizzy."

In the emotional song, Gucci Mane pleads for God to hear his prayer: 'Dear Lord, oh lord, please hear my prayer/ No, you ain't take me this far to leave me here."

The relaxed pop song has a hint of electronic funk about it with synth-tinged brass punctuating the meter. "There's a freight train of emotion stuck in my lung/ I need to get it out, get it out before it's all gone/ So I'll just speak in vowels from now on," they sing on the opening verse. Capital Cities mean what they promise, getting literal on the chorus by invoking vowels like "A," "O" and "E."

Sebu Simonian said of the song, "When you can't express yourself with words, sometimes you just want to scream to get it all out. You need vowels to do that!"

Bastille loosely based "Send Them Off!" on Dante's Divine Comedy, which finds the author traveling through hell, purgatory and eventually paradise, but in the video the man at the heart of the action never seems to make it to that last place. Unless a rooftop counts as paradise. After what he experiences, it very well could.

The band itself seems to be stuck in purgatory, waiting in an abandoned old church and crossing path with the video's main character before he ventures even farther into different circles of hell. He comes across a darkened room where everyone sits wearing blindfolds, and races through that creepy setting only to enter a room on fire while couples kiss amid the flames.

Due October 14, the package captures the group performing their breakthrough 1991 album, "Extreme II: Pornograffitti (A Funked Up Fairy Tale)", in its entirety last year in Las Vegas on the occasion of its 25th anniversary.

The Boston band's second album peaked at No. 10 on the US Billboard 200 on its way to US sales of more than 2 million copies based on the success of the No. 1 single, "More Than Words", and Top 5 follow-up "Hole Hearted."

Directed by Brian Lockwood, the "Pornograffitti Live 25: Metal Meltdown" package includes a Blu-ray, DVD and audio CD of the complete concert that was filmed on May 30, 2015 as part of an event headlined by Twisted Sister.

Corden started the conversation by saying he'd heard a rumor they were working on a duet together. Mendes clarified that there's nothing yet, but he very much hopes to work with the One Direction-er turned solo artist in the future. "He's awesome," Mendes said.

But the heaviest hitting guest appearance of all came from Dr. Dre, who Drake introduced as a mentor and inspiration through his decade in the rap game. '

Most recently Andre 3000 contributed to a remix of Divine Council's 'Decemba," reports Pitchfork. The crew consists of Richmond-based rappers $ilk Money, Cyrax Bathbwoy, Lord Linco and Chicago-based rapper/producer ICYTW*T. Their first EP, Council World came out July 29. Andre 3000 is credited on the "Decemba" remix as Andre Benjamin.

Speaking with Billboard about Sir Rosevelt, Brown opened up his new project. "It's fun, we get to explore all the other influences that we like and I think it's just got a lot more international appeal," he said. "It's not shoved in a bucket like country music is."

A range of EDM artists and DJs influenced Brown. He mentioned listening to Jack U, Diplo, Skrillex, Calvin Harris, DJ Snake and Avicii before he began working on the tracks that he, Moon and Simonetti would release under Sir Rosevelt.

The 21-track project features guest appearances from former band mate (during a stint with Destiny's Child) Kelly Rowland, as well as Lil Wayne, Kelela, Q-Tip, The-Dream and Dev Hynes.

"23 positions in a one-night stand." Any notions that Prince had lost his early '80s edge with the decidedly more spiritual and less carnal emphasis found on albums like Lovesexy and Graffiti Bridge were smashed with the release of the single 'Gett Off" in the sweltering heat of the summer of 1991.

'Breathe' was the first song we wrote together as a band. It was the starting point for our sound - we took a long time making sure everything in there had a purpose. Different effects were tried, the order of the song was changed around - then we brought in producer Gethin Pearson and we tried even more stuff.

Gethin had just finished working with JAWS and The Enemy. It was great - he gets so enthusiastic when recording that it just raises everyone's game. You know the song's cooking when he gets up and starts dancing. That's what we aim for - if Gethin's not dancing yet, something's not right.

When recording the song, we listened to a load of different records to influence the sound of the production; LCD Soundsystem for the percussion; Ratatat for the brash, synthetic guitars; Kanye West for the drums. We wanted it sound like nothing else.

With 'Breathe', we were discovering our sound. We took the time and we got there. We've been back in the studio with Gethin again the past couple of weeks and think we're onto something really special. This is just the start...