Twenty One Pilots Announce 3-Disc Blurryface Live Album

The lead single from the Alice Cooper Band's sixth album, "Billion Dollar Babies", reached No. 26 on the US Billboard Hot 100 while the project hit No. 1 on the Billboard 200 on it way to sales of more than 1 million copies.

Trujillo writes: Everybody has Ozzy lineage to a certain degree, whether it's that listening experience that happens or an actual concert memory, but my memory goes back to before I was even in High School.

When I was a kid, my best friend's older brother was a Black Sabbath fanatic and he would play Sabbath albums for us, and basically scare the sh*t out of us. He'd have candles lit and you'd stare at that album cover, and that woman that was on the cover [of the band's debut album] would seem to come to life! So my earliest memory of Ozzy was through Sabbath and being frightened by the album covers and the music - but it was all very exciting.

That transitioned into me being a young teenager learning bass and learning Iron Man for the first time - I think that and Smoke On The Water are the first bass lines that you learn, generally - and at a certain point one of my friends from High School asked me to join their band. They were playing Black Sabbath and Ozzy covers, and I soon found myself gigging backyard parties, playing Sweet Leaf, Iron Man and War Pigs...

The drama started when John Shea of the San Francisco Chronicle tweeted about Coco Crisp going from benched by the A's to plating the go-ahead run for the Indians in the World Series. That's when Smash Mouth decided to give their two sense.

"@Athletics You guys made ZERO key additions last off season. Same this off-season? You have great fans, come on give them something!," the band tweeted from their official account. Which prompted the since deleted response "Guess you've got it all figured out. Except how to make a hit since 1999." Ouch!

Ghost say: "While in Lubbock, Texas last night, Ghost brought back If You Have Ghosts. If you look closely you might just see a mystery sixth Ghoul on cowbell."

In a second video shared by the Swedish band, in which frontman Papa Emeritus orders the Nameless Ghoul to climb down from a stage monitor, they say: "Papa does not seem that impressed with that Cowbell Ghoul. However, another amazing ritual in San Antonio."

"If it wasn't for this music, I'd probably be dead," the track begins. "Instead I'm top counting this bread." "No roof so they can see me shine, only a matter of time, it's dedicated, put it all to the grind, it's no roof so they can see me shine," goes the refrain.

The video is all neon mood lighting, fog, palm trees and more, as Cudi and friends dance and get down in the tropical rave-like setting. The guest list is stacked with all sorts of hip-hop stars, including A$AP Rocky, A$AP Nast, Jaden Smith, Willow Smith, Chip the Ripper and Hit-Boy. Cudi looks like he's having a grand time, bouncing around a circle formed by his friends and guests. His reflective sunglasses convey a sunnier side to things.

"Cudi and Ye, what happened to our family ways, though. When I put you on that song with Nas you had told me that you was forever grateful. And that we brothers.

In the video, Charli and her crew play zombies who are stumbling home from their late night out. It's a clever play on the way any kind of big party can make a person feel, but coming on Halloween it feels even more appropriate.

'Why would I leave somewhere so great? Did you know Lithuania ranked number one in the world for internet upload and download speeds? Imagine what you could stream with that," he mused about Great Britain's vote to leave the European Union.

Four new lyric videos were released Monday (Oct. 31), and a backing track for each one is available to download. Fans can record themselves singing along to the backing tracks and upload their videos for a chance to win an official studio session.

I don't remember writing this song. The lyrics were bits of hallucinations I was having and writing down. They coalesced under some simple premise at the piano one night.

I can't help but make up stories about people when I see them. Strangers, pictures, cops, robbers, all of the faces tell me something, it's hard to explain.

"One night, I sat Beauty down on my lap.-And I found her galling.-And I roughed her up." -Rimbaud, A Season in Hell

The chorus definitely rings of relationship. Love becomes something intertwined with biology and chemistry and our own internal clocks that mark our time here. You meet so many people and wonder how the hell they keep their connections going, and it seems like it boils down to someone that gets you, and the rest kind of takes care of itself. Anyway it's like a meditation on the inherent and beautiful spiritual violence one goes through to maintain relationships.

Musically, Chris and I tried many arrangements before we captured the lightning in a bottle. Early versions were too Wilco-sounding, and then venturing into a psychedelic rendition that was over the top for the song. We just kept hunting it down, stalking it through the night. I came back to bassline I had imagined initially and just played it over and over. We dropped our notions of what we thought it should be and it was like a spirit alighted in the studio and Chris started playing that magic guitar line. It was a genius moment. The rest just fell into place after that. It's a simple song that means a lot to both of us and I tried to create a character in there that everyone could have known, even if they didn't anymore.