Pink Announces North American Tour

"The Way I Am" arrives along with a new jazz version of "Done For Me" - Puth's third single from the album featuring Kehlani. The reinterpretation of the track showcases the classically trained, Berklee-grad's own jazz roots and continued reverence for the genre that he first began studying at age 10.

Christina Aguilera on why she'll never return to 'The Voice': "It became something that I didn't feel was what I had signed up for in season one," she says. "You realize it's not about music. It's about making good TV moments and massaging a story. � "I didn't get into this business to be a television show host and to be given all these [rules]," she continues. "Especially as a female: You can't wear this, can't say that. I would find myself on that show desperately trying to express myself through clothing or makeup or hair. It was my only kind of outlet."

To give back to his fans and shine light on emerging new artists James Bay and Spotify are accepting submissions of fan artwork inspired by Electric Light. The top submissions will have their artwork displayed at a private gallery where James will be performing for a select group of fans and artists.

The accompanying official video for "Ashes," helmed by the film's director David Leitch, has also premiered today - watch here. The video features Deadpool himself and was filmed in The Colosseum at Caesars Palace, the very venue where Celine hosts her Las Vegas residency shows.

Class Grenayde comments on the song: "On This Rock I Will Build My Church" is the perfect opener for the very large and heavy packaging in which this monster was trapped. The song paves the way for a lot more..."

The single is one of KANDY's biggest releases to date: a significant milestone for him both personally and professionally. He explains, "Feelin' KNT is my first release since coming out to my family. This release means more to me than anything I've released in the past because it is the first time I've been able to be my most authentic self.

The album was produced by the renowned Jens Bogren (Opeth, Amon Amarth, Kreator). The cover artwork, which was created by French artist Jean 'Valnoir' Simoulin from Metastazis, perfectly captures the feeling of the lyrics and the music.

Esa comments: "I guess Queen Of Time turned out as a massive surprise to all of us. During the rehearsing and pre-production we didn't have any idea that Jens had this huge picture inside of his head about the landscape of the album. It's a very natural continuation to �Under The Red Cloud� but with steroids. The songs are more aggressive but there's more dynamics, harmonies and orchestral arrangements present. The result is AMORPHIS as something you've never heard before! Essentially, working with Jens worked really well. As a person he is very similar to us - we share the same kind of weird humour and we all like to work hard."

Back in June of 2012, I was following the adventures of a guy named Steve Cannon who was running 40 marathons in 40 days around Lake Michigan to raise awareness and funds for cancer research. Several members of my family had struggled with and succumbed to the disease, so he caught my attention. Starting off in Chicago, he was following the west shoreline through Wisconsin, into the Upper Peninsula and down through lower Michigan on his way back to Chicago, passing through Traverse City which is where I live.

One morning while sipping coffee, I noticed a tweet from Steve saying that the trail he was on had just changed from gravel to pavement. I knew he was due to arrive in Traverse City that day and from the description, intuited that he was most likely, quite literally, down the hill from my house! I was already dressed for a run and, though it was a longshot, dashed off to try to find him. No sooner had I stepped onto the path, when a moose of a man came lumbering toward me. I shouted, "Hey! You wouldn't happen to be that Steve guy?" A broad smile lit up his bearded face and he boomed, "I might just happen to be that Steve guy!" I wound up running with him for the rest of the day. Our day together became a chapter in his book, "40 Days," and so the title of my song is a nod back to Steve.

When I was writing "40 Days," which is a hammered dulcimer instrumental, I was thinking about exile. Especially what happens internally when you are displaced from everything you know. I had experienced this in my own life, but there was also a lot in the news about the plight of refugees. And here was this guy Steve who was on a sort of chosen exile. The song became a soundtrack to those stories, so I guess you could say in that way "40 Days" is an anthem to the exiled.