Lady Gaga Covers Led Zeppelin's 'Black Dog'

During a hearing, the victim, Miranda Dixon, testified to tugging on Gates' pants at his show in Lakeland, Florida. "I was trying to get his attention for my friend," she said. After the second time she pulled on his pants, the rapper kicked her with force, she said.

Ddirected and edited by Nick Edwards, the new clip features audio recorded for BBC Radio on May 12, 1969, while the band footage was shot for the French TV program Pop Deux at the Festival de St. Tropez in the South of France in 1970.

Due November 11, "The Early Years 1965-1972" presents 7 individual book-style packages and feature 130 tracks, including TV recordings, BBC Sessions, outtakes and demos and more than 20 unreleased songs. Also featured are 7 hours of previously unreleased live audio and more than 5 hours of rare concert footage.

The unwelcome reception to his music suggests that the 76ers weren't the only folks in the stadium who were off their game on Wednesday night (October 26th).

On a now deleted Tweet, the Philadelphia rapper shared the DC4 drop date, as well as the cover art. The album features a black and white photo of Meek when he was younger against an orange background of his criminal reports in the Court of Common Pleas of Philadelphia County.

The new mixtape release, The Hibachi for Lunch, will reportedly include features from Future, Gucci Mane, Quavo (of Migos) and Ty Dolla $ign, according to Radio.com.

"Dead Alive" is a rabbit hole of a video with each scene coming back at some point from a different perspective. Creepy things happen when James Mercer falls asleep on the couch while watching Halloween-themed programming. As he dreams, he finds that his world has become a miniaturized toy version and it continually clashes with a more giant world where people tower over everything. Things get even more twisted when he becomes a skeleton.

"It's very weird because this is, like, real jewelry and most of my jewelry is made out of like gummy bears and cotton candy and they don't look that good together because they kind of mix up," she said.

The band shot the video using Facebook's Surround 360 camera technology, which allows viewers to move backward and forwards, as well as turn in a complete circle, so they can watch Grouplove perform from all different angles. As the press release touted, it's about as close as fans can get to the band without having a front-row seat.

"It's what you think it would be like," Tedder says, when asked what working with Gabriel is like. They collaborated with the two-time Rock and Roll Hall of Famer on the song "A.I.," from their new album Oh My My.

"Incredible. The first time I met him, it was incredible. We just hung out and talked music for two or three hours and had dinner. He was super gracious and nice."

He explained in the beginning of the video how people were criticizing him for only going toe-to-toe with rappers, so he went "mainstream" and tapped Jonas to participate.

Dubbed "Vanilla Wafer," Jonas starts off with a pretty straightforward and simple rhyme that doesn't have much flare to it. "I'm the Drake of this equation/ Meek Mill here, what you doing?/ Why you waiting?" which draws a laugh from Hart and his crew.

It was coming up on the anniversary of my dad's passing and this song just kind of spilled out of me. I wasn't really thinking about writing a song about him or memories we shared, it just kind of happened that way.

The title is so true to how I felt at the time I penned the song. It had been almost four years (now five) since he passed, so I'd gone through the five stages of grief, but I still needed closure. It's weird - I really didn't miss him until I would think about him. Sometimes that would be one hundred times a day, though. If you've ever lost a parent or someone close to you, I'm sure you can relate. I don't think I'll ever have total closure, but writing this song helped me get closer to closure.

In the studio, we really captured the mood. Just me on guitar and vocals, my friend Anne Balbo on distant, angelic harmonies, Hank Futch played his upright bass with a bow, and my producer Mark Bryan added the Wurlitzer. I love how it all came out. That opening line about "running up and down the street, catching the leaves as they fall..." (which really happened in the autumn) sets the song down a bittersweet memory lane for me, but it's a fitting tribute to my dad, Barry. I think he would've dug the song, too.