Nicki Minaj Lashes Out At Sharon Osbourne

Filed in Nashville court, defendants named in the case include TNA, its owner Dixie Carter and husband Serg Salinas, and its parent company Impact Ventures, according to PW Insider.

Corgan has requested a court order to keep details confidential for the time being. He also filed a temporary restraining order, which was also granted.

He tells Metal Hammer: "A good heavy metal song should be like a good horror movie. Exciting to watch or listen to, with a lot of dynamics.

"You're not really sure where it's gonna take you, but once you get there, you're glad to be there. Heavy metal just doesn't work when you're singing about peace and love, or purple flowers.

"It's much more effective to sing about zombies, the end of the world and the phantom of the opera!"

Slipknot frontman Corey Taylor also describes the "cohesion and symbiotic relationship" between heavy music and horror movies.

Mars didn't confine things to the stage where musical guests normally perform for his first number, "24K Magic." Instead, he started with a "walk and rap" that took him through the studio's backstage area with three of his backup singer-dancers. The boys paused to break it down throughout their "stroll," showing that when it comes to putting on a show, Mars can sing and dance in equal measure.

For his second performance, Mars debuted a new single "Chunky." This time, he stuck to the main stage instead of wandering through the audience or behind the scenes.

Valensi spoke with DIY about new music. "We are slowly but surely working on an album," he said. "I don't know when it's going to be released, we're kind of just in writing sessions. We're writing."

The remix contains some standard peacocking from Mr. West: ''I'm the new Steve [Jobs], mixed with [Muhammad] Ali/ 'Bout to get freed/ I'm the new Walt [Disney]/ F-- what you thought."

The four-minute track showcases sultry vocals from Cabello, who sings about a very complicated relationship. "Am I out of my head? am I out of my mind?/ If you only knew I like/ Don't think that I can explain it/ What can I say, it's complicated," she sings at the start of the track.

The song has a touch of Drake about it, old school Drake that is. "Let Me Explain" has a chill vibe and a strong beat while Tiller's smooth vocals wax lyrical about a failing relationship he can't salvage.

"These people are turning the clock right now," he said. "They are the trendsetters of tomorrow, and I actually pay attention to what they send me. If [my manager] Tez sends me a song and says, 'I need you to do this verse for whoever,' I knock it out in that one night and send it right back. When I get the Solange or Chance song, I'm actually riding in my car, banging that. When I put my verse on it, I'm telling my engineer, 'Let me get a copy.'" But not everything he hears is a hit. "The other ones, I'm just sending back to Tez," he said.

They continue: "By joining our love for music with careful integration of technology and high-range audio components, we've created a turntable of the future for the medium of the past."

In 2013 I spent six months in a house for the bewildered. The previous five years I'd not really been a functioning member of society and I certainly hadn't played any music. To me, writing songs and playing had always been the point of my existence and when I became unable to do that anymore I fell in a hole and stayed there.

When I left the modern day loony bin I began volunteering at a local arts charity who ran workshops for recovering addicts and anyone with mental health problems. I sat at the back at played guitar at first, terrified. Clear minded, I started writing songs, free from any pressure. They were good. The old hunger and venom came back and I just kept writing. I played them in public for the first time in seven years and it was obvious from the reception that I was on to something.

'My Breath Killed The Roses' was one of the first I wrote. A cathartic cleanse and a bridge from the dark past into an unknown I was happy to receive. The song was recorded the song for the album with a full band but I decided on a stripped down live version as a promo video with just myself and my violinist. The song sounds great in all forms which is the mark of a good song, to me.

The b-side was also one of the first 'A Bike And A Bell' is a tender waltz. I write the best songs about love when I'm single and this was one of them. I'm very proud of it. Almost too good for a b-side.

Making this debut album has been a turbulent and meandering journey but it's the best thing I've ever done. Until the next album.

The Big Top Heartbreak ride has started. And I'm not getting off.