Steven Adler Jams UYI Songs With Guns N' Roses Cover Band

The new humor themed version of the song includes lyrics like "manufactured lies from the greeting card" and "everybody's dropping money on people they don't like."

He died later that year from bronchial pneumonia resulting from AIDS. The pair say: "For the first time, we worked on a Queen song. We did it to celebrate one of the greatest artists ever - Freddie, we've been missing you for 25 years."

VanderWaal originally debuted the song for her finale performance on America's Got Talent. Although she hasn't aligned with any anti-bullying campaigns or coalitions, the message seems a necessary reminder for anyone who has faced that issue.

On the chorus, VanderWaal sings, "Cause you don't hurt me/ I won't mold to your silly words/ I won't live inside your world/ Cuz your punches and your names/ All your jokes and stupid games/ They don't work, no they don't hurt/ Watch them just go right through me/ Because they mean nothing to me."

And to make the show more special, Urban offered some of the country's first responders a chance to attend for free. The country experienced a powerful 7.8 magnitude earthquake near the town of Kaikoura on November 14th. It devastated towns and left several thousand homeless (via New Zealand Herald News). When Urban heard about the disaster, he used his own money to purchase several blocks of tickets for those who responded and helped out.

Based on the New York Times best-selling novel, by William P. Young The Shack tells the story of a father's journey towards recovery following the loss of a child.

In the opening scene, Ross and Gucci wash cars at a local business where they're both employees, but they get to talking about buying back the block to really start turning a profit and help their community. "If we buy the car wash, we might as well buy the gas station," Ross tells his colleague. Gucci responds, "You know what? We need to buy the block."

The video switches to scenes of a rough neighborhood that has fallen prey to hard times because crime has replaced viable businesses. Ross, Gucci and 2 Chainz stand outside convenience stores and apartment complexes to rap about their plans to transform the block by focusing on property investments.

Train already shared the album's first single, "Play That Song," which borrows the central melody from the 1938 single "Heart and Soul" by Howard Hoagland "Hoagy" Carmichael.

The musical nod comes because Bruno Mars will perform at the annual fashion show. Though, it's not the first time in recent months that models have been used to add a visual flash to a hit song. George Michael's "Freedom '90" video also got a fashion model twist in September, when a bevy of young models recorded an updated version lip-syncing to the song.

"I wanted to do it one way, the big band classic way," he says. "I recorded Glow in New York City, and I spent a whole week of just living in New York and living that music, working with a thirty piece orchestra. Fine whiskey in a glass and wearing a suit, decorating the room with lights, it was magic."

DJ Earworm shared his latest mash-up to celebrate the year in music. He culled together the biggest songs of 2016 and blended them together in a new (catchy?) tune.

Mastodon's Troy and Hellyeah's Kyle offer a half-baked demonstration of the Orange Crush amplifiers in their outdoor studio before Orange rep Alexxx attempts to take over.

Troy says: "My favorite amp is the bass amp. it's got a plug, you can plug it into the wall", as Kyle adds: "This one's got a handle and it can either go on or off."

Not only have Daft Punk been adding to their online shop lately, they've just branched out into Christmas-themed merch. Demand is clearly high as items such as Christmas tree ornaments are already sold out.

Now, Solange has placed an open call for New Orleans-based musicians to "bring the magic to her fans." Solange posted the notice on the site for Saint Heron, a project under her Saint Records label.

"I clearly remember where half of "I will do (anything)" originated from. My friend Geoff Diesel (Slowness) was in town visiting from San Francisco and was toying around with the idea living in New York. He had been moving around from the East Village but had just gotten a place down the street from where we lived in Williamsburg. It was a really cool spot�very bohemian right near the firehall and it had this huge lofted master bedroom.

We ransacked the place partying one afternoon and I remember his creme Telecaster just laying on the bed�.we had just been on about the early REM stuff and such�and when I picked up the guitar the rift and melody to the verse and chorus came together right then and there on the 1st take.

It must be one of those "magic" instruments as I know he writes a bunch of material on it as well. The half-time sections were worked out later in rehearsal but I'll never forget staring up at the high ceilings with us dancing around the room when that came together.

As this became the 1st song that we recorded for our upcoming 2nd LP at the time after we recorded it, it quickly was put away to the side in favor of older recordings for our live show and an inability to translate it live. Now that the song has finally been released 2 years later, we began to pick up again (live) and to our surprise found it in quite better shape than we left it last go around, so it found room on our setlist once again."