Kanye West May Have A 'Serious Psychiatric Problem' Says Dr. Drew

Moore plead no contest to the charges, and entered a plea deal despite L.A. county prosecutors' insistence that no such deal should occur. "It was not a negotiated plea," DA spokesman Ricardo Santiago told The New York Daily News.

He also says he wasn't paid for merchandising or for the rare double album Once Upon a Time in Shaolin, which was bought by controversial entrepreneur Martin Shkreli for $2 million.

Lincoln Center's Programming Department and producer Hal Wilner have designed a program that will not include speakers or live performances. Instead, it will focus on material from the legendary songwriter's body of work, chosen by friends and fans.

Then, on November 27 and 28, fires devastated the eastern Tennessee area. At least seven people were killed in the fires in Sevier County and around the Great Smoky Mountains National Park, reports BBC News.

Designer Matthew Lineham has branched out with The Very New Wave Christmas set, featuring the pun-tastic 'David Snowie', 'Saint Nick' and 'Merry Smithmas' ornaments.

And on last night's episode of BBC2 show MasterChef: The Professionals, he wowed the judges with his dishes. The full episode can be viewed below, and Donohoe appears on the show again tonight (Thursday) on BBC2.

Before his food was judged, Donohoe said: "To describe my food, I'd say it's Scandinavian Asian fusion. There is a little part of me that worries that they won't understand my food."

The country musician will headline A Home for the Holidays special on CBS on December 23rd. She'll be joined by pop stars Alessia Cara and Rachel Platten, who will each perform as well.

Sheeran's version is slightly jauntier than Bieber's more somber take. Though he had a hand in its creation, Sheeran doesn't see himself playing the song much in the future. "I'll probably never play it again, but I just want to play it once," he told the audience before he began strumming.

He also made fun of the cut he sustained on his face when Princess Beatrice reportedly pretended to knight James Blunt at a party. "Hung out with Japanese people�got my face cut open. Anyone read about that?" Sheeran quipped (via BBC News).

The duo also shared the cover art for RTJ3. El-P and Killer Mike worked with previous collaborator Tim Saccenti to bring their pistol and fist imagery to life. The album features those two symbols rendered in 3D and painted gold. "For us, the RTJ1 hands were about 'taking what's yours' � your world, your life, your attitude.

The RTJ2 hands were wrapped in bandages, signifying injury and healing, which for us represented the growth in ideas and tone of that album," the duo said in a press release. "For RTJ3 the bandages are off, the chain is gone and the hands have been transformed into gold. For us this represents the idea that there is nothing to take that exists outside of yourself. You are the jewel."

According to updated iTunes information, Cudi's next project will be released on December 16th. The 19-track album includes features from Travis Scott, Pharrell, Willow Smith and more.

Speaking with Extra about her involvement with the Be Vocal campaign, which aims to bring awareness to bipolar disorder, Lovato also discussed her plans for the future.

"The character of Roland Crane is nothing new to me," Kravitz explains in the clip. "We are musicians, but he's not supportive of what his daughter is doing."

Lynch and Lara cuddle and get intimately close in black and white footage, which is all surrounded by a red border nodding to the song's title. As the song progresses, what Lynch watches onscreen eventually invades the white-washed performance space, and he and his band feel the full effects of "seein' red."

"I really put a lot of time in to dreaming up how to capture the energy and sexiness that 'Seein' Red' is," Lynch said, speaking with ET. "[Director] Adam Rothlein came up with the idea of us 'battling/performing' to a flashback or fantasy that escalates in to us being completely consumed by it, and I knew this was the perfect fit to bring this song to life."

It was Neil Diamond and Fallon versus Portman and Abrams, and the first round's password was "salsa." Diamond got close but not close enough with his guess of "salad," which, to be fair, was more on-the-money than his original guess of "Charo."

In the next round, the password was "tickle." Perplexingly, Diamond doubled down: "Can I use 'salad' again?" he asked. It didn't help matters that Portman and Abrams were operating on the same wavelength. The Harvard-educated star of Jackie guessed "tickle" based on the simple clue "feather."

Finally, the password was "Mistletoe." Diamond returned once again to leafy salad imagery for his hints. By the end, he and Fallon lost the game in a landslide.

She told Radio.com, "I never thought, when I wrote the song, that it would be a single, I just thought it would be a song on my album. But when I found out that over 51% of marriages end in divorces. I knew right then that this just wasn't my story."

And once she started performing "Love Triangle," she learned, first hand, that she was right. When I started singing the song on radio tours � and I wrote it when I was 18, so I've been singing it for four years � fans would just come up to me and tell me how the song relates to them. I heard so many stories already, without my album even being out yet."

"This is a song that needed to be written," she says. "There's been a couple of songs about divorce in country music, but none from the child's perspective.

Like many of my songs, the initial inspiration for "Western Lights" derives from personal experience, but the story is deliberately universal. I wrote it quickly by my standards, over a weekend after returning home from a wintery Las Vegas road trip that could not conclude fast enough. While the song is obviously about something coming to an end, it's not so much a downhearted take on endings as much as having the resolve for closure and a hopeful eye toward the future. The verses supply some context, but the overall message is encapsulated in two lines:

When those bright
Western lights
Fade from that December sky
And paradise is out of sight

That grand terrain
Will not let my spirit sway
And this mighty engine is
Screaming home tonight

My first instinct for the arrangement for "Western Lights" was that it should not follow a standard verse/chorus/bridge format, but instead be a driving song that built to an ending. This alone makes it stand out from other songs I've written, and it took some trial and error to sell myself on the idea. I recorded quite a few demos that ranged from a pared-down piano-swinger to a fuzzed-out garage-rocker. But with the final demo, I landed somewhere very close to where I started. From a mood standpoint, it's a contemporary attempt at the vastness and momentum of Jackson Browne's "Running on Empty" while maintaining the intimate energy of Fleetwood Mac's "Gypsy."

I love the instrumentation in the track. Drummer Victor Indrizzo and bassist Sean Hurley laid down as solid a foundation as there is. We took care not to let the acoustic guitars get buried in the mix, and when the song picks up, they provide a nice compliment to Victor and Sean's energy. The recurring piano line takes some prominence, but it's really Roger Manning's layered keyboard work and David Levita's arpeggiated guitar lines that help to create the song's wide, scenic feel. The driving synth part in the second verse evokes the pop sensibilities of Don Henley's early 80's solo work, and I think it serves the song well.

Being a solo artist affords a unique opportunity to seek out the right personnel for a project. I knew that Joe Chiccarelli would understand where I wanted to go and how to get there, and I was thrilled that he jumped on board to produce and engineer this EP. The recording sessions were an absolute pleasure, and while I was not sure whether they would yield a single, I was cautiously optimistic about "Western Lights."