Smith says: "I call my collection The Fabric of Rhythm because I feel that this art is a view into the inner workings of the motions I use to make rhythms. With drumming, we hear only part of the motions that we make, and because the sticks and hands are generally travelling so fast, we don't see all the motions being used.

"We hear the impact of the stick on a drumhead or cymbal, but we don't hear the motions made in the spaces between the notes. The spaces in-between the notes are as important as the notes that we hear.