Keyboardist Thomas Andersen says: "Molok is about a man that, sometime around 1920, decides that wherever anyone worships a God, they always seem to be worshipping stone in some form. Whether it's a grand cathedral, the stone in Mecca or Stonehenge, God seems to have been chased by his worshipers into stone, never to return.

"This harkens back to Norwegian folk myths, where, if a troll was exposed to sunlight, it would turn to stone. But it also reflects the way God has been incommunicado for a very long time."