While his second outing was inspired by 19th-century material, its follow-up is based in current times, which suggested a different direction to him. Wilson tells the Boston Globe: "For me, the concept is always responsible for the musical palette.
"The Raven was an album where the underlying concept was the classical ghost story, with an emphasis on so-called 'Gothic' fiction. That suggested to me a more vintage musical palette.
"Now, here's a concept that's set in the heart of the city in the 21st century. To me that says, 'Okay, you're going to need more electronic sounds, almost semi-industrial sound design, if you want to reflect life in the heart of a metropolis.
"That stylistic range, and the fact that it's distinctly different from the previous record, ultimately grew out of the story." Read more here.
Prog Magazine is an official news provider for antiMusic.com.
Copyright Prog Magazine - Excerpted here with permission.
Caught In The Act: Cheap Trick Rocks Chicagoland On July 4th
Dave Koz & Friends at Sea Cruise, Part 2: Dave, Dave, Dave!
Sites and Sounds: Montana Folk Festival Coming to Butte (And It's Free!)
Dave Koz & Friends at Sea Cruise, Part 1: Sax Man and Pals Set Sail in Europe
5 Star: Styx - Circling from Above
Rod Stewart, Def Leppard, Benson Boone Rock Festival D'ete Quebec Kick Off
Sleep Theory Launching Second Leg Of U.S. Headline Tour
Dayseeker Announce New Album With 'Creature In The Black Night' Video
70000tons Of Metal Announce Initial 2026 Lineup
Wolfgang Van Halen's Mammoth Announces Third Album 'The End'
The Sword Extend Warp Riders 15th Anniversary Tour
We Came As Romans Announce New Album 'All Is Beautiful...Because We're Doomed'
Watch Yellowcard's 'Take What You Want' Video