The answer is to have stand-ins for their essence. Moroder, an Italian himself, is represented by a young man who appears to be living a life of deja vu, constantly returning to a hotel for a liaison with a woman in a short blonde wig. Anyone with even the slightest awareness of Sia knows she herself dons such a wig often and likes to employ stand-ins for herself in her own work with a similar style.

And so the daily adventures in love go, until it becomes apparent the blonde woman is not simply one woman, but several. The wig symbolizes the Italian man's interchangeable view of all of these women--and they are pissed.