About The Filmmakers: Peter Sluszka is a New York-based director with Hornet specializing in stop-motion animation and photo-based effects. He studied literature and visual arts at Columbia University, eventually contriving to combine his love of storytelling and visual innovation by studying stop-motion animation at the School of Visual Arts. Sluszka has directed animation for feature films, commercials, music videos, television series, and performance projections. He has collaborated with Michel Gondry and Pilobolus, and manipulated everything from traditional foam latex puppets to meat, origami, snow, and yarn.

Julia Pott is a freelance animator and illustrator working out of London and New York. Her clients include Malibu Rum, Picador, Chronicle Books, Picasso Pictures, Sherbet, Casiotone for the Painfully Alone and Of Montreal. Her work has been exhibited in London, the U.S. and Antwerp and her animations have been screened at Onedotzero, Rushes Soho Shorts, the Youtube Short Film of the Year Award, SXSW and Pangea Day. She collaborates with her fellow animators in the animation collective Treat Studios. She begins an MA in animation at the Royal College of Art in Fall 2009.

Guilherme Marcondes was born in S�o Paulo, Brazil. He started working as an illustrator while still in architecture school. In 2000 he joined the Brazilian animation studio Lobo where he worked for five years, eventually directing spots for international clients such as Diesel, Cartoon Network and Nickelodeon. In 2005 he went to London to direct the build-up campaign for that year's Europe Music Awards at MTV Networks. He came back to S�o Paulo and directed Tyger, a short film that won more than 20 awards around the world. Marcondes moved to the US in 2006 and worked for a year at the renowned studio Motion Theory. He currently works with Hornet, a New York-based production company representing directors in the areas of multimedia, directing short films and commercials.

Santa Maria is a directing team comprised of Josh Goodrich and David Hill. Working in both live action and animation, Santa Maria's vibrant mixed-media style evokes a playful, unexpected tone. For Goodrich and Hill, the creative process is a path of exploration. They are on a constant mission to fuse contrasting aesthetics, whether it's integrating Native American and '80s motifs or merging folk art with techno design. Goodrich and Hill met at the Savannah College of Art and Design, where they studied computer animation and illustration, respectively. With their joint experience in illustration and computer animation, the two, directors at Hornet in New York, make a highly complementary team.


HERE COME THE WAVES: THE HAZARDS OF LOVE VISUALIZED

DIRECTOR: PETER SLUSZKA
1. Prelude
2. The Hazards of Love 1 (The Prettiest Whistles Won't Wrestle the Thistles Undone)
3. A Bower Scene
4. Wont Want for Love (Margaret in the Taiga)

DIRECTOR: JULIA POTT
1. The Hazards of Love 2 (Wager All)
2. The Queen's Approach
3. Isn't it a Lovely Night?
4. The Wanting Comes in Waves / Repaid
5. An Interlude

DIRECTOR: GUILHERME MARCONDES
1. The Rake's Song
2. The Abduction of Margaret
3. The Queen's Rebuke / The Crossing
4. Annan Water

DIRECTOR: SANTA MARIA
1. Margaret in Captivity
2. The Hazards of Love 3 (Revenge!)
3. The Wanting Comes in Waves (Reprise)
4. The Hazards of Love 4 (The Drowned) Check out the new official trailer

Preview and Purchase Decemberists CDs

Decemberists MP3 Downloads