Instantly greeted by fans and cognoscenti as a new artist, composer and self-producer of true substance, effortless charisma and delicious musicianly caprice, Brown is busily playing summertime festivals, promoting the recent European release of the album and posting a series of videos, vlogs and acoustic performances online that confirm the most elaborate praises of the press, which greeted her album as "a perfect pop cocktail" (The Sun) and "Spector-ish pop as slick as her black pompadour, and her vocal shines through every track" (Elle).

The 25-year-old Brown, born in Northampton, England and based in London, wrote her first melody on the piano at age 5, with training in church, weekend jazz and classical piano lessons, and, of course, in her parents' record collection, which included Ruth Brown, The Rolling Stones, Aretha Franklin, Queen and Elvis Presley. Accordingly, the video clips populating her various websites and her special on-line unplugged performances display both the emotional honesty and the high musical standard of her songs: for example, an impressive surf-flavored performance of "Crying Blood" from the stage of Later With Jools Holland, launchpad for so many notable young UK talents; the perfectly-crafted yet boldly unconventional "LEAVE!"; the insanely hooky "Shark in the Water," and a moving, beautifully-arranged cover of the Killers' "Human." (Not to mention the irresistibly charming "Bottles," which manages to suggest, at once, "100 Bottles of Beer on the Wall," "The Twelve Days of Christmas" and "Children, Go Where I Send Thee.")