KISS Reunite With Ace Frehley For First Time In 17 Years

"I was a broken woman," Sharon tells The Sun. "He sent me an e-mail that was meant for one of his women. Then he took his sleeping pills. I put an extra two in his drink... and asked him everything, and everything came out.

"He would have never told me the truth, ever. He was ashamed, afraid. I knew how long. I knew who it was. I knew what he was thinking and then, you know, you leave."

Sharon originally hired a private investigator to try to catch Ozzy having an affair after she discovered he was spending a lot of money that she couldn't account for; when news eventually broke in May of 2016 that the singer was hooking up with Hollywood hairstylist Michelle Pugh, she kicked the rocker out of their Los Angeles mansion and he temporarily moved into the Beverly Hills Hotel.

"Ozzy told me it was over with this woman and I believed him," explains Sharon. "Then, six months later, I found out it wasn't and there were others. Only then did he come out and say,''I'm an addict. I can't help it.'"

The new studio effort was produced by the band's longtime collaborator Dave Cobb at the famed RCA Studio A in Nashville and the record will be released by Cobb's Atlantic Record imprint Low Country Sound.

After Fortune collapsed at the spring show the band cut the performance short and vowed to return. They did just that on Halloween night and decided the night to Fortune.

Ghost frontman and mastermind Tobias Forge told fans "I'm very glad to see you here tonight, again. Unfortunately, tragedy brought us here tonight as you all know.

The track is from the group's self-titled record - aka the Black Album - the band's first to top the US charts on its way to sales of 16 million in the States and more than 30 million worldwide; the set also continues to hold the record as the biggest-selling album in Nielsen Music history, since the company began tracking sales data in 1991

"Through The Never" was also the title of Metallica's 2013 concert film thriller starring Dane DeHaan that mixed live performance footage with off stage action.

The Charlotte stop is part of Metallica's current fall tour across North America, which will wrap up in Fresno, CA on December 9 before taking a six week break for the holidays; the series will resume for another three-month run in Tulsa, OK on January 18.

"Along the way we'll be visiting 34 cities we did not go to last year," said Metallica when announcing the series, "including a few we haven't been to in decades, including Grand Forks, ND (nearly 30 years), Sioux Falls, SD, El Paso, TX, Birmingham, AL (nearly 26 years) and State College, PA (20 years). About time, wouldn't you say?!

"The fall/winter tour also marks a few firsts for us as each show will get rolling with the Light It Up pre-show party hosted by our very good friend Jim Breuer. Jim, along with a DJ to get the night rocking with some great tunes, hits the stage before us with comedy, fan interaction, giveaways and much more."

The Billboard 200 chart ranks the most popular albums of the week in the US based on multi-metric consumption as measured in equivalent album units, which are comprised of traditional album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

The soundtrack mixes classic live and studio tracks with previously unavailable Queen performances from Live Aid. The five tracks from Queen's 21-minute performance at the charity concert - "Bohemian Rhapsody", "Radio Ga Ga", "Hammer To Fall" and "We Are The Champions" - have never been released in audio form before; they were previously issued on video as a special extra on the DVD/BluRay release of "Queen Rock Montreal", which features the Montreal Forum shows of November 1981.

Written by Irving Berlin and a huge 1942 hit for Bing Crosby, the song went on to become one of the biggest-selling singles in music history, with all versions combining for an estimated 100 million copies sold worldwide.

Clapton's first full-length Christmas album, "Happy Xmas" delivers a mix of seasonal standards - including "Silent Night" and "Away In A Manger" - and lesser known holiday tunes alongside a new original track, "For Love On Christmas Day."

"I had in my head that these holiday songs could be done with a slight blues tinge, and I started to figure out how to play the blues lines in between the vocals," says Clapton. "I got it down and one of the most identifiable songs on the album, the one that became the foundational style, is 'Have Yourself A Merry Little Christmas.'"

The lead single from 1978's "Some Girls" topped the US charts - as did the album, which went to sales of more than 6 million copies in the country. The song is one of 28 tracks recorded during a Miami, FL show on the band's North American tour in support of their 1994 album, "Voodoo Lounge", which was originally broadcast as a pay-per-view event and first issued as "Voodoo Lounge Live" on VHS video the following year before an edited version was delivered on DVD in 1998.

The restored, remixed and remastered film delivers the first performance of "Sweet Virginia" since 1973, and guest appearances by Sheryl Crow, Robert Cray and Bo Diddley.

Each guest performs one of their own hits while also joining the headliner for classic tracks: Bice is on hand for "Gimme Back My Bullets"; Williams Jr. delivers "Down South Jukin'"; and, 3 Doors Down rock "That Smell" and "Saturday Night Special" before all three join Skynyrd for "Sweet Home Alabama."

The lost footage was reportedly discovered in a record company vault, inside a 16mm film canister that hadn't been opened in 40 years. The new clip appears to have been filmed during the same session as a video shoot for the project's third single, "She's The One."

The "Road To Ruin" reissue presents an original and new mix of the Ramones' fourth album, which saw the introduction of drummer Marky Ramone after founding member Tommy Ramone exited the lineup to oversee production and songwriting for the group.

The EP includes two previously released tracks, "Gotta Let Go" and "Another Level," along with three brand new songs: "Bloody Nose," "Live Fast Die Young," and "Something to Believe."

Johnny 3 Tears had this to say, "On our new EP, we tackle darker subjects such as life, death, and suicide. As a band, we try to convey messages of hope and with this project specifically, redemption.

The companion package to the New Jersey rocker's Netflix special presents complete audio from the film by director Thom Zimny, which was captured over a pair of performances for private audiences back in July as part of a historic 236-date solo run at New York's Walter Kerr Theatre.

The one-man show sees Springsteen deliver a stripped-down performance while sharing details behind some of his legendary material. The soundtrack see arrives the day before Springsteen's final Broadway appearance and ahead of the Netflix film premiere, which will launch globally on December 16 at 12:01 AM PT / 3:01 AM ET.

The "Springsteen On Broadway" soundtrack will be available via multiple formats, including a 2CD and 4 LP sets as well as a digital download and on streaming services.

Now in its 12th year, this event will celebrate the artistic achievements and creative genius of Nelson, one of the music industry's most beloved icons. The event also acknowledges the overall industry contributions of the Producers & Engineers Wing's more than 6,400 professional members. Grammy Week culminates with the 61st Annual Grammy Awards on Sunday, Feb. 10, 2019, airing live on the CBS Television Network, at 7:30 p.m. ET/PT.

The video was filmed outside the Anaheim Regional Transportation Intermodal Center in Anaheim, CA by DZFX Media. Kyle Pfeiffer had this to say:

Originally recorded by the Brooklyn singer when she was just 17, the tune reached No. 2 on the US Billboard Hot 100, where it stayed for three weeks behind The Beatles' "I Want To Hold Your Hand."

Wilson says her cover of the empowerment anthem - which features a guest appearance by guitarist Warren Haynes - remains relevant today.

"I think that song has come to be way more universal now," Wilson tells Billboard. "It could be the anthem of anyone who wants respect, anyone at all, not just women. I think we're in a time where we're having a discourse now as a culture about who people really are and how it's important to accept people, and so I thought the song really fits. I think it's really meaningful in today's world."

Mellencamp.com and VIP pre-sale tickets for the new dates will be available beginning Wednesday, November 7 at 10:00am local time until Thursday, November 8 at 10:00pm local time, while an American Express presale runs Wednesday, November 7 at 12:00pm local time until Thursday, November 8 at 10:00pm local time.

Takeover was meant to be a statement to the world because I see the Rock and Bass Music hybrids continuing to become more and more popular, and I feel a scene of its own is about to blow up any minute. Before that happens, I took the task to personally investigate who brought this idea first. Of course there is always the reference to Industrial Rock, EBM, and bands like Ministry and the likes which I also include, but this specific scene is still distinctively different even when the ingredients are similar, but the formula is not the same.

Ministry did not exactly try to make music for people to danceto because the DJ phenomenon hadn't even really happened back then. So when you mention Pendulum or Celldweller, to give you two names which I consider major pioneers of this sound, you have something quite different from, say, Rammstein or Combichrist. Takeover is a tribute to those who were before us and a reminder to those who come after us to be thankful to those who helped build the scene they're now successful in.

I did this particular song with The Qemists because they are also a very long running act which started in 2007 and I've been a huge fan ever since. Pendulum started in 2003, even though their rock influences came a little later. Celldweller as a project started in the same year, but if you count Circle Of Dust (Klayton's project with Criss Angel), they were doing it since 1988, and they were an influence to Pendulum. I believe it is the duty of every single musician that pursues a specific style to remember and learn about everything that is related to their sound. At least, I believe it's better. I want this scene to thrive, and I will do my best to help it blow up even if it's the last thing I do.