Today's Day in Rock Stories

Former Guns N' Roses Star Cut Ties To Axl Rose

Murphy will be receiving treatment for the nodules but it will also require a lengthy recovery. He had this message for fans, "As you can see, I am not allowed to sing or speak for a while, doctor's orders. I must rest my vocal cords. See you when this is over. Love, Peter."

The residency has now been moved to January and February of 2018 and will include special shows that are each focused on a different album from his career.

Henry isn't the first artist to be critical of the Chicago based label. A Day To Remember won a lengthy legal battle against Victory last year with a jury awarding the band $4 million in alleged unpaid royalties, according to Altpress.

On a recent episode of the Lead Singer Syndrome podcast with Silverstein's Shane Told, Henry had this to say (via Lambgoat), "We were one of the few bands that completed a Victory contract. Five albums, yeah, ten years baby. Still haven't seen a royalty check. Hundreds of thousands of units SoundScanned, you know? Not one penny.

The song comes from the group's forthcoming self-titled debut album which is set to be released on June 16th. Aside from Dailor, the band also features Zruda's Core Atoms and Withered's Raheem Amlani/

The cosmic synth/psych collective known as Arcadea has premiered a new song called "Infinite End" today. The song is found on the band's debut, self-titled album that's set for release on June 16th via Relapse Records.

Frontman M. Shadows had these comments about the new Anders Rostad directed clip (via TeamRock), "There's a bunch of ideas that were thrown into the mixing bowl there - but the main idea was to get fans involved and make sure the kids knew this is a song full of energy first and foremost.

"But at the same time, we wanted the technological hint in there, so as the video progresses you start seeing things glitching out and all of a sudden the world turns digital."

The tour will span the summer into the fall and is scheduled to kick off on July 5th in San Diego, CA at the Casbah and will run until October 3rd where it will wrap up in Flagstaff, AZ at The Green Room.

The band has recruited Spotlights to support them on the trek and The Melvins will also be taking part in Tool's special one-off festival like show at the Glen Helen Amphitheater in San Bernardino, Ca on June 24th.

He took to Instagram on Wednesday and shared with fans, "Well this is intimidating. 0 down, 18 to go. Please post your favorite inspirational quotes to guide me through this difficult time. "

The NSFW video was directed by Amy Nicole Hood and can be streamed here. The new studio effort will be offered in a variety of formats including CD, a 180 gram vinyl and digitally.

The run of summer dates is scheduled to begin on June 28th in Ann Arbor, MI at The Ark and will be wrapping up on July 8th in Pawling, NY at Daryl's House.

The band released their self-titled album in 1997 and will now stage some special concert in the eastern U.S. this June where they will be performing the effort in full.

Hale was asked by Rawkus Radio (via NRT) what advise she would offer to young bands and she responded, "Number one is absolutely do it because you love it," said Lzzy. "Don't do it for any other reason. We've seen so many bands just crumble because their idea of success is money or getting people to know you and all this stuff.

The run of shows are currently scheduled to kick off with a special show on June 19th in Mt Pleasant, MI at Soaring Eagle Casino where they will be supporting Avenged Sevenfold.

Giles on what it is like to play a festival with Slayer and he responded, "There are Metal fans and there are Slayer fans. I love Slayer, I'm a huge fan. It's intimidating [playing with them] because if you ask me, they're the best Metal band in the world.

Greg Mackintosh promises, "The new album will be slower, sludgier and more doom filled than ever before. Eight riff laden monster tracks of sheer Northern misery."

Pearl Jam Anthology -- The Complete Scores, which will run $75 retail, is available for pre-order on Pearl Jam's website and Amazon at lower price. The book will arrive next month.

The group is recording the new effort at Duper & Solslottet Studios in the city of Bergen in their native Norway and mixing and mastering will be handled by Jens Bogren at Fascination Street Studios.

The first episode of the new in-studio video series gives fans a look at a song called "Conspiracy". The new album was produced and co-mixed by Slaughter with John Cranfield (AFI, Andy Grammer).

The new clip is said to be "an homage to 70s psychedelic/occult film makers such as Alejandro Jodorowsky and Kenneth Anger" and was filmed in Joshua Tree last June.

"What makes a hero is someone who does something selfless�Someone who stands up for someone who is weak," says Cooper. "Working in rock and roll is good, but being a hero is better."

Like most Onesie songs, "Daytime King" one was born from a guitar idea I stumbled on while noodling around on my couch. The cyclical, climbing riff was likely inspired by Blur's "There's No Other Way", a song I've loved for many years. I wanted to evoke a loose kind of shuffling feel with that guitar hook weaving around a repeating bass and drum groove. It needed a twist, so In the verse there's a wall of Big Muff guitars that sort of interrupts the flow ands disappears pretty quickly. I made a casual bedroom demo of the song back in 2013. I remember overdubbing the shaker and really getting into "snare hunter" mode to stay on beat. There's that great moment in the Tom Petty and the Heartbreakers doc where he talks about how vital the shaker was in mixing "Refugee". I have a tendency to write too many parts but thankfully the shaker helped temper that and glue the disparate pieces together. I was worried that the overall feel landed somewhere between Kool and The Gang and Spin Doctors but when the band played it we really dug into the dynamics and enjoyed how different it was than the rest of the songs.

I keep an ongoing notepad file of lyrical ideas on my phone. When I'm demoing, I'll pull out a line that works with the music and it generally flows from there. Though this set of lyrics are kind of random and whimsical, the line "you're right there with me, jingling the keys" is pretty close to my heart. It was inspired by working on photo shoots and watching the trick of the jingling keys to make toddlers look in the direction of the camera. The same trick actually terrifies my cat into coming back into our apartment when she gets too curious about the hallway. Life is constantly sending you distractions that make you second guess your choices. You can either react to the jingling keys or you can put on your blinders and persevere. It's an ode to staying focused on your own long game through the ceaseless noise.

Since the guitar/bass relationship was kind of busy, I went for a vocal cadence that is less lyrically dense than than something I would typically write. With vocals piping in and out like horns over the groove, I got into the frame of mind of Steely Dan and layered in some harmonies that made everything smoother. The actual phrase 'Daytime King' became lodged in my brain after going to a Late Show with David Letterman taping a few years ago. Regis Philbin was the guest, and it was great because he was not promoting anything. It was a very relaxed, friendly visit, with stream of conscious chatting. At some point the term "King Of Daytime" came up and I wrote it down. It's one of those perfectly hollow titles of celebrity nobility. I mean, I associate daytime TV with boredom or failure- something negative. He was just so self-assured and charming about accepting his role as THE Daytime King. A few weeks later there was a big Winter storm in New York, and as the song says they did indeed "close the city".

This song has a fun extended breakdown with both two of my favorite things happening at once- a mosh beat and a harmony solo! I have a tendency to go crazy with layering those Thin Lizzy guitar parts. They're just so tasty. I'll end with a little trivia. The spoken line in the bridge right before the solo is pretty much a direct quote from a moment of punk rock triumph in a lesser celebrated John Hughes movie. It's one of those lines that drifted around my subconscious for decades and it just came out when we were overdubbing and sounded right.