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Led Zeppelin Win Stairway To Heaven Trial

The 2-month trek sees the reunited trio of Axl Rose, Slash and Duff McKagan perform with a lineup that includes guitarist Richard Fortus, keyboardists Dizzy Reed and Melissa Reese, and drummer Frank Ferrer.

The Detroit appearance marks the return of Rose to GNR after he stepped in to assist AC/DC with a 13-date spring tour of Europe in place of Brian Johnson that wrapped up in Dusseldorf, Germany on June 15.

The singer is now fully back on his feet after wearing a walking cast for most of the AC/DC dates after breaking his left foot during GNR's April 1 club gig at The Troubadour in Los Angeles, CA.

The 24-song set opened with the band's 1987 classic "It's So Easy" and, for the most part, remained similar to their spring shows in Las Vegas, Mexico City and at Coachella.

"California" is set to be released on July 1st and is the first album from the veteran group to feature The Alkaline Trio's Matt Skiba, who took over frontman duties from Tom DeLonge.

Tom says: "This is the first time we've worked on filming and editing the whole project. Having creative control over every aspect from start to finish was great, it was a lot of work but extremely rewarding.

The tune features vocals by London singer Rosie Bones, who Beck met through a chance meeting last year with guitarist Carmen Vandenberg at a birthday party for Queen drummer Roger Taylor that led to the trio's collaboration.

"She [Vandenberg] invited me to one of their shows, and I was blown away," recalls Beck. "When we got together in January, I explained the subject matter I had in mind, we sat down by the fire with a crate of Prosecco and got right to it. The songs came together very quickly; five in three days."

"The less I can do, the better off I am," said Pop. "Giving up, or giving ground� those are necessary, tactical situations that come up, that arise as you live longer and longer. Not to mention that you've got more of a history, too. In my case, I've kinda gotten a pass on that, because I feel better in general now than I did when I was 18, 19, 21."

Together with late saxophonist Andrew Love and earlier collaborators, he appeared on dozens of classic recordings by Stax Records, and amassed more than 50 No.1 hits through his career.

The Horns won a lifetime achievement Grammy in 2012 for their work with Elvis Presley, Sam And Dave, Otis Reeding, Neil Diamond, Isaac Hayes, Stephen Stills and many others.

The project sees the California band perform the 1986 record in its entirety, a set that includes classic tunes like "Modern Day Cowboy", "Little Suzi" and "Gettin' Better."

The package will also include the single "Save That Goodness", written and produced by Phil Collen of Def Leppard, who the band are touring with across North America this summer on a bill with REO Speedwagon.

"30 years later and the songs on our first album still rock!," says guitarist Frank Hannon. "Making this new live album of 'Mechanical Resonance' was a reminder of the innocence and creative beginnings of Tesla."

Kennedy Center president Deborah Rutter said in a statement, "These Honorees have each played a unique role in shaping America's artistic landscape with their work, expressing their creativity in ways that pushed the boundaries of what art can do, and what it can mean. Their artistic triumphs have motivated us, moved us, and will continue to inspire us for generations to come."

It was run by Terrence Winter of Boardwalk Empire and The Sopranos fame - but he left in April, and was replaced by Scott Z Burns. And despite Mick Jagger nurturing the original idea for the show for years, it received less than favorable reviews - and HBO have confirmed it won't be back for a second season.

Southern Native sees Lynyrd Skynyrd mainman Rickey Medlocke team up with guitarist and vocalist Tim Rossi, guitarist Rick Krasowski, bassist Brian Carpenter and drummer Matt Anastasi.

Medlocke released the first Blackfoot album, No Reservations, in 1975 and says he and his new-look lineup strike a perfect balance of styles.

He reports: "This record is head-to-head old school meets new school - classic to new rock for a brand new generation. Turn it up loud!"

The new album will be their first release without recently departed drummer Ben Jolliffe - who left last month after seven years in the band. Young Guns say:

Delain say: "We have never had so many milestone events in one year. The release of Lunar Prelude, our fifth studio album Moonbathers, our upcoming 10-year anniversary celebrations - and there is still more to come.

Drummer Marcus Losbjer says of the track: "It started with a guitar riff that I had and we built everything from there. The main drum groove is heavily influenced by One More Red Nightmare by King Crimson."

Singer Stefan Zell adds: "I had a hard time getting into this song and at first we were gonna have bassist Thomas Jansson write lyrics for it. He wrote quite an impressive piece of lyric to it, but it was written in a way that didn't really fit me as a singer.

The sets have included a performance of a track currently known as Ramm4, which could be set to appear on their seventh album.Frontman Till Lindemann said last year that the band were considering starting work on the follow-up to 2009's Liebe Ist Fur Alle Da.

"I wanted to write a song that mixes my classical background with rock," Tarja tells Hammer. "In this particular piece, I heard the piano having an important role from the first moment, so we searched and found a great Chopin piece that fits like a glove to make a great classical-meets-heavy-band feeling."

The lineup features original members John Goodsall, Percy Jones and Kenwood Dennard, along with keyboardist Chris Clark and percussionist Scott Weinberger. Guitarist Goodsall says: "It's a better version now. We're all a lot more experienced and a lot more skilled."

So far, their is no title or release date for the follow-up to 2014's Reincarnate, which will not appear on the band's long-time label Fearless Records.

Frontman Chris Motionless said in January: "There's a lot of pressure to try to top everything we've ever done before and write the best record of our career.

Pancaldi says: "During 10 years of musical adventures with Barock Project, a lot has happened - even more is happening now and who knows how much and what will happen in the future?

"Memories of us in the early years waiting for that 'turning point' that every musician is looking for - years in which we played a couple of concerts, when we rarely met for playing and practicing, years in which we were simply expecting something to rain down from the sky.

Thunder Song is without a doubt the song I have written with the most gradual and longwinded completion, I started it in 2009 and it's only just come out. It took five years to finish writing it, which is quite impressive for a song that only has three chords played in the same order for it's duration.

It began when I downloaded an app for my smartphone that was based around making loops of various lengths using samples. I became pretty hooked on it and became quite experimental and was able to use it as a highly versatile musical instrument that was possible to use in any key and in any scale. The handy (and a little bit sneaky) thing was you could selected specific notes and all of the notes you didn't want to use were switched off meaning that it was impossible to play a duff note. One of the loops I was particularly pleased with eventually became Thunder Song but for a very long time it existed as an instrumental loop consisting of two trumpets and three double basses. Strange choice really. I knew there was 'something' about it because everyone I showed was genuinely impressed (I can tell when people aren't), one was even moved to tears. It lived with me and one day I started singing over it and improvised a few lines. I just sang words that I felt would fit the mood of the loop and that was it. So then the song existed without changing for another two years.

In that time I developed chronic mental health problems and in the middle of a deep depression that was becoming life threatening I finished the lyrics whilst in the bath. It was an early winters night with a thick cover of clouds, drizzle and fog. At this point I was pretty much entirely detached from the world around me and was extremely ill. I guess occasionally I momentarily bypassed the depression and had brief moments of creativity and respite from the feeling of being crushed and ground down to nothing. I found that during these times the music that would result had a certain powerful, arresting quality. That being said, I never want to experience feeling like that again and thankfully creativity doesn't have to come at such a heavy cost.

Shortly after finishing the song I was hospitalised in a psychiatric ward for almost three months. Whilst in there I forgot about everything I had ever done, including Thunder Song and other compositions that later become this album. Part of my recovery was slowly remembering myself until eventually I was able to return to life and in many ways begin again, at doing what I did before but with a new appreciation of the process. When I perform it I go back to 2012 in my mind and think about the key moments that defined that part of my life and I find the knowledge I have survived fills me with heavy emotions dominated by joy. I have come in to the possession of a large kettle drum and in combination with a cymbal it brings a dramatic and slightly terrifying end to the live show by joining the brass section as they almost expire from creating volume levels that could raise Atlantis.