Rose's GNR bandmates Slash and Duff McKagan were on hand to watch their singer perform with the Australian rockers as speculation over a possible guest appearance surfaced once Slash was spotted in the nation's capital ahead of the concert.
Rose recalled GNR's first visit to the country as he introduced AC/DC's 1977 classic "Whole Lotta Rosie." "This next song is the first AC/DC song that I ever heard," he told the crowd. "The first time I ever came to London - I'm in this other band - we came over and played a club called Marquee and decided to do this song because I read in a magazine it was always voted the number one song for, like, ten years straight, so we had to play it."
Three shows remain on the spring European run, which wraps up in Dusseldorf, Germany on June 15 before Rose will rejoin GNR for a summer stadium tour of North America that begins June 23 at Ford Field in Detroit, MI. Check out the video footage
here.
They hope to release their debut album Open Your Omen later this year via Roadrunner Records - and previously showcased the tracks She Sees Everything and Simple Skeletons.
Jordison previously said: "I decided I wanted to start fresh - I did not want to keep rehashing old ideas. If I am going to keep going, I really just wanted to break loose and wipe the slate clean." Watch the video
here.
Originally released as the second single from the group's seventh album, "Jazz", the track reached No. 86 on the US charts and No. 9 in their native UK while the project peaked at No. 6 on the US Billboard 200 and at No. 2 on the UK album charts.
The group have also issued footage of their 1984 single, "I Want To Break Free", from Lisbon's Rock In Rio event, which marked the opening date of the band's summer festival tour, which will see the pairing perform 15 shows across Europe over 6 weeks, wrapping up in Padua, Italy on June 25.
This week the group will play the Sweden Rock Festival on June 9 and the UK's Isle Of Wight Festival on June 12. The 2016 run marks Queen's first live dates since completing a South American tour last September. Watch the video
here.
Vol. 1 and Vol. 3 are set to make their streaming debut alongside physical reissues of the albums and several editions of the box set, including a limited-edition 2CD/DVD version, a standard 2CD/DVD package and a deluxe 180-gram vinyl collection.
The CD box set was launched today (June 3) and will be released on vinyl on June 24. Concord Bicycle CEO Scott Pascucci and Senior Vice President Sig Sigworth say: "The global success of the Traveling Wilburys reissues in 2007 was one of our career highlights. So we are very proud to bring the Wilburys' catalog to Concord Bicycle Music and work with these incredible songs and musicians a second time." Watch the videos
here.
Poulsen tells Finland's Kaaos TV: "I would never really call a writing process, a recording process smooth, because there's always a big challenge. There's a lot of work, a lot of frustration, a lot of emotions. It really takes time to get to the right songs.
"I pretty much isolated myself in my house for a half year to finish up the songs, to be able to write the lyrics and write the music and go to the rehearsal room and show it to the other guys, see what songs needed to be on the record. I think we skipped around 25 songs to get to those which ended up on the record. That's basically how it works every time." Read more
here.
Before anyone heard a note of Metallica's new music, people were arguing about their new look. On April 10, 1996, Alice In Chains recorded their episode of MTV Unplugged at New York's Brooklyn Academy of Music. All four members of Metallica - James Hetfield, Lars Ulrich, Kirk Hammett and Jason Newstead - were in attendance. And they all had short hair. This was a big enough deal that, before the show, Alice's Mike Inez famously wrote "Friends Don't Let Friends Get Friends Haircuts" on his bass guitar.
Around the same time, it was announced that Metallica would be headlining Lollapalooza, the alternative-rock festival tour that had previously been headlined by Jane's Addiction, the Red Hot Chili Peppers and the Smashing Pumpkins.
I remember this pretty well, because I was working at a marketing company at the time, and the company specialized in heavy metal. And in 1996, metal was in flux; the prevailing wisdom in the music industry was that the genre was on its way out, and "alternative" was the new standard for rock music.
This put Metallica in a strange position, to say the least. They couldn't really disavow metal; it was literally in their name. And they were coming off of 1991's self-titled LP (known as "The Black Album"), the biggest album of their career, the one that saw them moving from thrash metal to more easily accessible hard rock. Would they change even more to fit in with the post-Nirvana world?
On the surface, it seemed like they did. There were the haircuts, of course. But the imagery went beyond that: they band had adopted many non-metal looks in their photo sessions, wearing eyeliner and going goth in some photos and adopting more of a rockabilly look in others. No longer were they working with metal photographer Ross Halfin; now they used Anton Corbin, more well known for the images he captured of U2 and Depeche Mode. Ulrich and Hammett even alluded to being bisexual. Meanwhile, Lars - always one to align himself with the band of the moment - started palling around with Oasis. Kick Hammett name dropped the Cocteau Twins, of all things. There was a lot of debate among fans about what this meant for Metallica, and what it meant for metal.
But what of the album itself? What about Load? Read more
here.
Nergal confirmed they'd started work on the follow-up to 2014's The Satanist earlier this year. He also hinted that the next album may take a post-punk influence.
He said: "I just try to keep my eyes and mind open for other genres. It's just amazing, the older I get, the more into blues I get. It's not direct inspiration for the radical music we make, but I do like avant-garde stuff.
"I wouldn't be surprised if on the next Behemoth album you heard some post-punk influences - the beats especially. I'm really keen on the primitive, primal tempos, so you never know." Watch the video
here.
Home Of The Wind is more than 70% on its way to reaching its target funding goal of �19,000 but still needs additional fan support before the June 11 deadline to make it happen.
Founding member Henri Sorvali explains: "We guarantee it will be worth the wait. We're fully supporting it and are thankful of all the support you can give." Read more
here.
The shows on the 19 and 20th of the month are being called Red Night and Black Night respectively, and will bring in an estimated total of 110,000 people - the largest number of fans to attend Babymetal's headline gigs.
The trio released their second album Metal Resistance in April - and broke merchandise sales records when they played a sold-out show at London's Wembley Arena the same month. Read more
here.
Click here to read today's full Day in Rock report
On The Record: The dB's- Rick Monroe and the Hitmen- Atlas Maior- Stoned Jesus
Hot In The City: Lou Malnati's Pizzeria Opens in Surprise, Arizona
What's Doing With Dave Koz? Christmas Carols and Cool Cruises!
On The Record: Craft Recordings Announces Record Store Day Exclusives
Live: T Bone Burnett Rocks Phoenix
Zakk Wylde, Kenny Wayne Shephard Lead 2025 Experience Hendrix Tour Lineup
3rd Annual Kid Rock's Comedy Jam Announced
Social Distortion, Peter Hook Lead Punk Rock Bowling & Music Festival Lineup
King Diamond Cancels 3 North American Headlining Tour Dates
Sammy Hagar Shares Trailer For Best Of All Worlds Las Vegas Residency
Ghost To Share Sister Imperator Origin Story With New Comic Series
Riverside Announce Live ID Album With 'Landmine Blast' Video
John Petrucci and Rick Beato Make Cameos In Ola Englund's 'Game Over' Video