Megadeth Confirm Lamb Of God's Chris Adler On New Album

WWE Studios was launched in 2002 for WWE wrestlers and personnel. The company has produced more than 30 movies to date including The Scorpion King, Walking Tall and The Condemned. They'll work under the banner Erebus Pictures for the upcoming releases.

"I know that Pete wants to make another record," he said. "He's just talking about it. I've heard a couple of tracks, which are great." Daltrey isn't ruling it out, especially since he and Townshend have rekindled their friendship over the years, leading up to their recent 50th anniversary tour.

"After all the testosterone of youth, all of the problems and middle age and drugs and losing people we love, in the end you suddenly realize you deeply love each other," Daltrey said. 'We are like brothers. Family is like that, aren't they? One minute you love them, the next minute you can't stand them. But as soon as it looks like they're not going to be around, they're knocking on the door."

Last month, he revealed the band were heading into a New Jersey studio to work on the album without having written any songs in advance. Now Rose has tweeted: "10th studio record done! On my way home! Ready to squeeze my babies and smack my woman's bootay!"

Carcass say in a statement: "Sorry, Malaysia. Seems like your government haven't updated their calendars to the 21st century. We've had our visas declined on the basis of our 'lyrical content'. Laughable and embarrassing."

Tribbett says: "I'm extremely excited about Audiotopsy. The music is everything you want in a record - heavy, melodic, atmospheric, big hooky riffs and sing-alongs as well.

The band's manager Jim Beach did say Cohen had returned to the project after departing in 2013. But his quotes at a manager's convention on Thursday were meant in jest.

May says via his website: "Jim said that, in response to enquiries about progress on the Freddie film, that Sacha Baron Cohen had been re-engaged to write, produce and direct - as well as starring in all four major roles!

It was previously revealed that one track on the follow-up to 2009's World Painted Blood was written before Hanneman's death, and features his playing.

Araya tells Revolver: "The whole process of his album started three years ago, when Jeff was still a part of it. The track was completely done, except we hadn't finalised the vocals for it. So we're fortunate to have something he had participated in."

A total of 13 songs have been laid down by Araya, Kerry King, Gary Holt and Paul Bostaph, although it's likely only 10 will appear. Slayer have still to decide on the album title, artwork and other details.

"I am still part of Tremonti and very excited for the release of Cauterize," explains Wolfgang, "but unfortunately am unable to participate in the upcoming dates due to my prior commitment with Van Halen for the summer tour in support of the Tokyo Dome Live In Concert album. Look forward to seeing all of the Tremonti fans on the road as soon as my schedule permits!"

Neil and his company, Rockstar Sports Group, were awarded the new AFL franchise last September. The ownership group includes former Florida Gator and Tampa Bay Buccaneer's quarterback Bob Hewko, aviation businessman Mark Daniels and technology businessman Sohrob Farudi.

Kalliojarvi says: "The cameos at during the last few years have been fun. When I was asked to come back to the group I was both surprised and excited for musical reasons, but also since I've always been comfortable in said company."

It was reported after his death that Fowley had expressed an interest in appearing on the cover and indicated he wanted former girlfriend Snow Mercy to be involved in the photoshoot. However, publishers were unable to contact her and now claim they've gone ahead and given the icon his final wish.

They say in a statement: "This is a truly historic moment in publishing because it is the first time a corpse has been photographed in a body bag with a fetish model and put on a magazine cover.

"I am very excited to be working with Whitesnake again, we had such a wonderful time when we did it back in 2008," says Leppard frontman Joe Elliott. "It's a great experience for rock fans to be able to see two great live bands on the same stage on the same night."

One of the featured spotlights in the band's live set sees Eddie showcase a montage of riffs and signature solos from his career, including the groundbreaking 1978 track "Eruption", "Cathedral", "316", the opening to "Mean Street" and more.

Van Halen recently announced dates for an extensive North American tour in support of the album, which was recorded in Japan in 2013 on the group's "A Different Kind Of Truth" tour.

Genesis: 1983-1998 ("The Red Box") completes the vinyl box set trio that began with Genesis: 1970-1975 ("The Green Box") and Genesis: 1976-1982 ("The Blue Box").

The idea first came about in 2009 when he was asked to take part in a memorial concert for the late drum icon Buddy Rich. Rich's daughter Cathy planted the seed for what eventually became Cheating The Polygraph.

Harrison tells MusicRadar: "Cathy said to me, 'You're welcome to play any of Buddy's tunes, of course, but what would be really fun is if you did a song from your band.'

"My band's music isn't anything like Buddy's, obviously, so I thought about it, and then I got together with Laurence Cottle, a big band arranger, to see what might work.

"What do you want to change?" asks vocalist Mel Parsons in explaining the new song. "Then change it! Wake up and move forward. Looking back will hold you back."

The one-time Zephyr and James Gang guitarist originally released the work in 1975 while he was a member of Deep Purple. He died of a drug overdose the following year, at the age of 25.

Vocalist Rosalie Cunningham says: "Our second album has turned out to be everything I'd imagined - and more. It's become a technicolour variety show; a playful display of the musical whims only briefly hinted at in our previous work; a psychedelic rock opera dedicated to Sarge Pepper and Zig Stardust.

It's the UK-based duo's follow-up to their 2013 full-length debut Don't Wait Down and will launch via Lagoon Dog Records. It was produced by Jaime Gomez Arellano at Orgone Studios, London.

Wolflight sees him joined by guest musicians and longtime collaborators, including keyboardist Roger King, drummers Gary O'Toole and Hugo Dagenhardt, saxophonist Rob Townsend, bassist Nick Beggs and singer Amanda Lehmann.

Gunnar Nelson says: "We set a pretty high standard with our previous release with Frontiers - Lightning Strikes Twice. That record received by far the most critical acclaim of any Nelson record to date. Peace Out was expected to be even better, so the goal was to push ourselves to the very limit - past what we believed we could do.

In the meantime, they've released a video for their track Capsize, which illustrates their take on music in the vein of Radiohead, Talk Talk and Tears For Fears.

Their work is is described as a "a true reflection of modern society, narrating the numb monotony of living in the unconscious conformity of the 21st century."

Lukather tells MusicRadar: "Making the album was blood, sweat, tears, love, pain, laughter - it was all that. We had fun, but we kept pushing each other. We had a couple of times when we almost killed each other. But without any tension you make pussy music."

Hogarth says: "This will be my fourth time performing in my beloved Gibraltar. Last year's Literary Festival gig in the King's Chapel was truly special for me and I came home with that rare feeling that I had 'nailed it.' Must be something in the water...

Named after the hallucinogenic brew used by indigenous tribes of South America that allows them to commune with the 'spirits' and even to travel to different dimensions, the band describes ayahuasca as "the perfect concept for the final track of Timelapse, which was born with the desire to gradually carry the listener on a mystical and visual journey to the end of the album."

Czech artist Monika Janouchova, responsible for the "Ayahuasca" video animations, states: "'Ayahuasca is an inspiring song. It has the power to take us to unreal places, and I just wanted to transform its potential into images.

"Each scene and situation brings us, together with the music, to a long surreal trip. Our mind opens and we are enabled to see more...It's like a vivid dream in which we cannot tell whether it is real or not and if everything will be normal once woken up."

In the 1980s, being shocking was part of Ozzy Osbourne's bag of tricks. There was the bats, the doves, not to mention lots of drugs and alcohol. But one of the most shocking things he did, at least as far as the metal community was concerned, was to cut his hair. And he was asked about that in this interview (by which point, his long locks had returned).

"At the end of the tour, I was so down and miserable," he said, and he decided to go on a road trip across America. Of course, that's easier said than done if you're the Prince of Darkness, Ozzy Osbourne.

He, quite reasonably, figured that if he cut his hair, no one would recognize him. And to hear him tell it, his trip - which took him to Toronto, Minneapolis, Seattle and Los Angeles, undisturbed by fans.

"Illuminate" is one of those songs that just kind of fell out of the sky and into our laps one day during a rehearsal. Just playing with melody and different feels, it just appeared. Within about 15 minutes, the bones of everything was there, melody, arrangement moods. Some of my favorite songs happen like that, just a lightening quick moment of inspiration.

We've been playing it live for a while and it's always gotten a great response. Our bassist Joe [Bourgeois] was kind of a hero on this record. He joined the band a week before we went to Ardent Studios to start working on the record. He learned the song as we'd been doing it, but once we got working in the studio, he really rebuilt the part completely and put a great groove into it that wasn't there before.

The lyric of the song is about feeling trapped, frustrated, and beat down where you are, and looking to that person next to you that you love and saying "wouldn't it be great to just run away and get the hell out of here together?" There's a real tension in the verses musically, especially in the 2nd verse where the drums, bass and guitar lock in a driving, pushing groove, and then as it gets to the chorus (the escape), the playing opens up, it's a really neat movement we put together that we're really proud of.

This was the first song we did for this EP, and the first thing we recorded in Studio A at Ardent. It's the room where all the Big Star records were done, which are some of my favorite albums. I actually ended up using the old Hi Watt amp and cabinet that was used on "Radio City" and "Third", which was a thrill in and of itself, but it's one of the best sounding guitar tones I've ever had. That room has an amazing vibe and sound, and we tracked live in there, so the energy really comes out in the recording. It's one of the best things we've ever done, and we're so proud of how it came out.

As a side note, playing this song live taught me a great lesson. A few people had come up to me and said how much they liked our song "Lemonade." The first time I heard that, I had to stop and think about what they were talking about it. Then I realized that maybe I ought to annunciate better when I sing.