Slipknot Guitarist Hospitalized After Being Stabbed In Knife Fight

Now The Daily Mail (via Ultimate Classic Rock) has posted startling video of the events. None of the actual impact is shown (thankfully), but in one clip you can see the cast and crew rushing to move away from the train as it approaches. While the footage does not show anyone being hit by the train, the clip could be considered graphic for some audiences.

A second video has also emerged from the point of view of the train. Through it you get an idea of how fast the thing was moving (55 mph) and just how little of a chance the 27-year-old Jones stood in the impact

The band co-produced the album with acclaimed producer Robert "Mutt" Lange who is best known for producing AC/DC albums "Highway To Hell" and their blockbuster "Back In Black" as well as a string of hit Def Leppard albums including the multi-platinum "Hysteria" and "Pyromania."

The band will be giving fans their first taste of the album today (March 12th) on their YouTube channel at 6:00pm GMT with the release of the song "Psycho".

A short time after the premiere the song will be offered worldwide as an instant download to fans that preorder the album, according to the official announcement.

Fans will get another taste of the new album on March 23rd when the band releases the first official single from the album, a track called "Dead Inside.".

Frontman Matt Bellamy had the following to say about the album and tiele, "To me, 'Drones' are metaphorical psychopaths which enable psychopathic behavior with no recourse. The world is run by Drones utilizing Drones to turn us all into Drones.

"'Drones' explores the journey of a human, from their abandonment and loss of hope, to their indoctrination by the system to be a human drone, to their eventual defection from their oppressors."

Rush have recently announced North American dates that will see the band hit 34 cities across the continent this summer, with shows beginning May 8 in Tulsa, OK.

Asked if the trek will be Rush's final, farewell tour, Danniels tells Celebrity Access: "Somewhere between possible and probable. There are some of us who would keep going forever, and there are some of us who wouldn't. So it's a process of working that out. And what somebody thinks today may not be what they think in a month.

"I am focused on making this as good as it can be, and then seeing where we are," he continues. "I did not want to do a farewell tour. There was no one in the band who wanted to do that because there is nobody who thinks it is that final or thinks that they won't make music or do something.

The band's March 11 show at the Verizon Center in North Little Rock, AR has been rescheduled for April 19. The March 12 tour date at Chesapeake Arena in Oklahoma City, OK has been postponed and rescheduled for April 17.

Building on the success of Volume 1 - with over 2.5M streams to date - Volume II will feature Method Man, Snoop Dogg and Yandel and will transcend genres by adding metal bands Anthrax, Killswitch Engage, Mushroomhead and Mastodon to the mixtape lineup.

Dressed all in white, with white instruments on a white floor in front of a white wall, the pop-punk foursome start playing the song only to be brutally attacked by a variety of serial killer-like villains. Armed with an assortment of weapons including brass knuckles, baseball bats, hatches and more. Singer Jordan Pundik is actually stabbed with a running chainsaw covering his bandmates in blood.

The song about trolls that love to hate others on the Internet shows that the band is not only unaffected by harsh words, but also revel in the fact that haters have already taken notice of the band. "One more round, kick me when I'm down, but I've already won. when my name rolled off your tongue," sings Pundik.

"Our 'One More Round' video was inspired by foreign horror films," explained guitarist Chad Gilbert in a release. "It's an extreme metaphor of the lyrics. Just trying to do what we love most, but like how it goes in life. When you do what you love people try to bring you down. As we have proven time and again. NFG can't be stopped."

When asked why they abandoned the Thin Lizzy name before releasing their first album, Gorham explained, "We had so many people who thought it was a mystery why would do that. We walked away from a brand name. The record advances were easily twice as much as we got with Black Star Riders for obvious reasons. In my mind, especially, as well as everyone else in the band, it was the right thing to do.

"We were thinking about it for two or three years when the question came up as to when we were going to make an album of new material. Every other band that got together did just that. We were the only ones that hadn't done it. As the time got closer and closer to closing this thing out, and we were going to go in the studio, I told everybody, 'You know guys, this has been going on for a while, but I just feel too f***ing uncomfortable going into the studio and recording an album under the name of Thin Lizzy. Everything that I've done under that name, recording wise, has been with Phil Lynott and I am too uncomfortable to do this.' Ricky Warwick chimed in and said, 'I agree with that. It would be great doing an album under this name, but I think you're totally right.' Most everybody out there thinks it was the right way to go."

He was then asked "is it important to Black Star Riders to write music in the Thin Lizzy style? I am talking the twin guitars and overall vibe. Not all songs are like that but there is that elemental Lizzy style."

Scott replied, "It is not a pre-meditated kind of things where we go, 'Let's go write in the Thin Lizzy vein.' That is absolutely not happening. What is happening is that people do know where we come from. It is almost like they hear the twin guitars and immediately 'that's Thin Lizzy.' Then again, people have brought songs to me that other bands have done and said, 'This band sounds like you.' Really, all there was going on was a harmony guitar. We are never going to lose that tag and I don't want to lose that tag. Thin Lizzy has been a massive chunk of my life. I don't know what to tell you. We write the songs the way we write them and they come out sounding the way they do. We don't try to sound like something that has already been."

Gorham then provided some more details about why Joe Elliot pulled out of producing their new album. He said, "During the embryonic stage of this new album he came to us. He said, 'Listen guys, I would love to produce your second album. I've got the studio. I've got the know-how and I've got the kick ass engineer. What do you think?' We said, 'Yeah that sounds great.' We've all been friends with Joe for decades and we knew it would be a really kick ass situation. We would be in the studio with this really competent guy, who has had a lot of success and he's got his own studio. Hell yeah.

"What happened is that the f***ing guy's band, you may have heard of them, they are called Def Leppard. They got their first record deal, the first one they've had in years. The record company threw a boat load of cash at them and told them they needed a release by such and such a date, which meant that they needed to record right in our time frame. He couldn't apologize enough and we were a little cheesed off. What it did is pave the way for Raskulinecz, who I thought was just a killer find as a producer."

And he says that, of all the current formats, MP3 is the one that he finds "most annoying." Page tells Kerrang Radio: "I wasn't listening - but I'd be confronted with Led Zeppelin music on MP3. It almost sounded like it had been remixed, and not very well at that."

He regrets that his efforts to achieve "transience and depth" in the original productions seemed to have been lost. "They were mixed in stereo with a depth-of-field to them, with everything in focus," he says. "To have it squashed down is not how it was intended to be.

Promoter Michael Smith says: "These virtuoso vocalists are routined mentioned in the same conversations about strength, quality and individuality of their voices.

And the crowd reaction at that show and subsequent shows in Glasgow and Nottingham has got bass player Mike Dean and drummer Reed Mullin itching to get in the studio.

Keenan last worked with COC in 2010, although he never officially left the band. They made two albums without him in the interim. But last year Keenan said it was only a matter of time before he returned to the fold, and they are now on tour.

He tells The Sick Room: "It's been about six years since Nostradamus was made and as much as we love that record, and we still have some exciting things that we're working on to reconnect with that in the not-too-distant future.

"But at the end of the day it is all about new music. You're only as good as your last record. We thought it was time after Nostradamus to re-establish all of the elements that make Priest what it is.

Durst tells KTLA5: "When I got the microphone I figured I had to say something. I felt like standing up for myself and what I'd gone through. I was a big misfit where I grew up - I was abused and bullied a lot. If you're someone that's tortured and bullied, wearing that target on your back, you need an outlet. It was a revenge against the bullies."

The clip mixes archival family footage with interviews, live material and animation for a film billed as a raw and visceral journey through the singer's life, providing no-holds-barred access to Cobain's never-before-seen home movies, recordings, artwork, photography, journals, demos, personal archives, family archives and songbooks.

Directed by Brett Morgen with Cobain's daughter, Frances Bean, as executive producer, "Montage Of Heck" debuted at the Sundance Film Festival in January to rave reviews.

Ford recently explained: "The rule was to have no lid on things. I made sure there was room for new ideas and everything my collaborators brought to the music.

The 2-week, 6-show run opens October 3 in Perth and wraps up in Brisbane on October 13. A KISS fan club members presale runs Monday, March 16 @ 2.00pm - Wednesday, March 18 @ 10.00pm.

The former Whitesnake man teamed up with Journey's Deen Castronovo and Night Ranger's Jack Blades for the self-titled record, launched last month.

But his plans for their song Way To The Sun were changed when Schon's guest appearance was confirmed. Aldrich tells Classic Rock Revisited: "I think it's my favourite track on the record. They told me Neal was going to be on the album, and I was like, 'F*** yeah!' as I'm a huge fan.

The band say: "A thousand years ago, we began writing an album. Then we spent 998.5 years dicking around in the cave networks of rural Kentucky. After we were all spelunked out, we decided we might as well finish the album. The album is Heavy Meta."

The band will be releasing their new single, "Eat" via all digital retailers on March 17th but they are giving fans an early chance to listen to the song with the release of the lyric video. Watch it here.

The post-rock outfit name King Crimson, Pink Floyd, Mogwai, Sigur Ros and Intronaut among their influences. Chasmata Records say: "Always seeking to expand what the band would call their 'sonic reach', Gilmore Trail's nature-inspired soundscapes vibrate and hum with life injected from their enormous range of diverse musical influences.

The label describe the 12-year-old band's latest work as continuing their drift away from their metal roots, saying: "2012's The Dreamer's Hideaway already showed more progressive outlines. This time, the band gives each melody time to unfold. This is where the strength of this album lies: coherence, patience, and continuity.

The evening includes an informal drinks reception at 6.30pm, then a luxury three-course meal, drinks and a Q&A session with the band from 7pm. Fans will have the opportunity to take pictures, get stuff signed and chat to the band. There are also tickets available to sit at the band's table for dinner.

The 15-month drama saw over 350 people accused of witchcraft and resulted in the execution of 20, while another five died in prison. It's regarded as one history's most extreme examples of mass hysteria.

Inferno - real name Zbigniew Prominski - tells Metal Wani: "Salem was an interesting place. The women look weird there, like real witches. They have their own fashion. 'What the f*** is this?' Every single woman looks exactly the same, like they're witches. I really enjoyed it. There was a nice atmosphere; something weird in the air."

They will hit the studio this summer to work on their full-length debut with At The Gates and In Flames producer Fredrik Nordstrom at Fredman Studios in Sweden. A late 2015 release is expected.

On signing with Mascot, guitarist Charlie Wilson says: "We're really excited to be working with a strong label with such a diverse roster as Mascot Label Group.

"Mountains" was a major breakthrough in the writing process for our new album The Code Duello. We had just met our manager, Michael Caplan, and had played him four songs we had previously recorded for the record but he obviously wanted to hear where everything else was going. Jack and I locked ourselves in our dad's garage and began fine tuning some ideas, with most of the music for what would become "Mountains" being one of them. We felt kind of bored with the state of rock at the time, so I loved writing something huge like this. Jack and I fine-tuned the music and sent it to Michael. His exact text to me after hearing it: "Don't you DARE f*** this up!"

As such, now Jack and I felt some pressure on the vocal side and really started digging into the melodies, trying to make it as grandiose and catchy as we could. We knew we needed something huge in the chorus to match the scope of the music�since this was all of a sudden now being groomed for being a single, we had to really get in the zone.

When it came to the lyrics, however, I was stumped. Like, completely stumped. The time kept ticking by, with the date for recording quickly approaching and I had nothing. Finally, just a few days before recording, I did something I had almost never done before: I wrote a poem. I was listening to a lot of Smashing Pumpkins (not out of the ordinary for me) and I thought, "what would Billy do?" so I just started writing. I wrote about a page's worth of stuff... Music is my life. It's both our lives. We have come this far and felt we had hit a tipping point: we could call it quits, or go all in. And I realized in asking myself the question of which path to take, the answer was simple. I have no other choice. I am going to be a career musician, and I am going to be successful. With this song, I thought let's really go all in and make the biggest statement possible: the one where we tell the world that this is who we are, and we are not changing. I picked out some lines from what I wrote and created lyrics that fit the melodies. Michael made some notes, Jack and I re-jiggered a few lines and "Mountains" was born.

When it came time for the video, we found ourselves in an interesting position, given that Jack and I are really the only two "official" members of the band. Do we put the live guys in the video? Do we do it White Stripes-style? Ultimately, we decided rather than use anyone else, we would just have two versions of ourselves and mess with the viewer a little bit. We shot the whole thing on a green screen and decided that when we got out of the car and opened the door, we were entering some kind of all-white oasis/alternate universe where this was a normal thing. It was a blast.