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The tune follows "Way She Moves" and "White Lightning" from the album, which is due on March 31. The 12-track set was produced by Rick Parker (Black Rebel Motorcycle Club) and recorded at Weiland's Lavish Studios and the Sandbox in Los Angeles.
Joining Weiland in The Wildabouts are guitarist Jeremy Brown, bassist Tommy Black and drummer Danny Thompson. Watch the new music video for "Modzilla"
here.
The band has added a December 28th show at the Stapes Center in Los Angeles. The band will also be playing the venue on December 30th and will stage their very last show there on New Year's Eve.
As we previously reported, the last leg of their "Final Tour" will begin on July 22nd in Eugene, OR at Matthew Knight Arena and will be concluding with the final tour date of their career on December 31st in Los Angeles, CA at the Staples Center.
Like their previous North American leg of the Final Tour, rock legend Alice Cooper will be opening for Motley Crue on most of the stops on this final leg of the farewell tour.
See the tour dates here.
The public spat then intensified with DeLonge claiming that he and Hoppus had previously discussed ditching Barker - comments that the bassist quickly played down.
But despite the fallout, DeLonge says via Twitter: "March 1, I will be launching personal recordings of new Blink demos along with a few extra tracks on TomDelong.me." Read more
here.
The tour is scheduled to kick off on May 5th in New Orleans, LA at the Civic Theatre and will conclude with an appearance at the Amnesia Festival in Montebello, QC in June.
The band, Black Francis, Joey Santiago, and David Lovering, will once again be joined by bass player Paz Lenchain, who replaced Kim Deal when she left the band in 2013.
The group had the following to say about the tour, "All headline shows will feature a new and more varied set packed with songs from the entire Pixies catalogue, full of distortion howls and all the vivid dissonance a Pixies fan would expect. - all performed on a sparse yet stunning stage"
See the tour dates here.
Led Zeppelin's sixth release had completed a fundamental change in the popular music and media equation that began with their fourth album back in 1971. With the song "Stairway to Heaven" , Led Zeppelin had proven that the album format had matured to the point that a hit single for Top 40 radio release was no longer a necessity for big album sales.
Before Led Zeppelin the conventional wisdom of A&R (record label) types was to focus on one sound or style to be successful. But Zeppelin's international success resulted in more extensive concert tours taking them to the four corners of the world, which only stoked their creative flame such that epic songs on Physical Graffiti like "Kashmir" became musical bonfires, "Ten Years Gone" glowing embers, and "Custard Pie", "Trampled Under Foot" and "In My Time of Dying" outright sonic blow torches.
One of the enduring legacies of Physical Graffiti was Led Zeppelin's uncanny ability to seduce the ears while also pummeling the listener with a sonic slam which knew no peer, often in the same song. Jimmy Page shares with InTheStudio host Redbeard how he made the conscious decision to innovate and not be derivative.
"I was really careful not to listen to too much other music... I wasn't following what everyone else was doing in the same sort of category as us, that's for sure. I was trying to do things that were really different." - Jimmy Page
Stream part one of the interview
here.
The moment was arranged by fan group Maiden 77, who admitted afterwards: "We had been planning something - but to be honest we didn't know if we could pull this off. A reunion of 80% of the 1977/1978 lineup! Thank you guys. It was an amazing night."
Moore only played one show with Steve Harris' band, before it was decided that keyboards didn't fit his sound. Thunderstick was Maiden's drummer for a few months while Willcock and Wapram spent nearly a year in the lineup. Read more
here.
The first eleven of the expected 20+ tour dates have been revealed with the tour set to kick off on June 5th in Paso Robles, CA at the Vina Robles Amphitheatre.
Tedeschi Trucks Band's singer and guitarist Susan Tedeschi, had the following to say about the tour "Sharon is really soulful and sweet and we know a lot of the Dap-King guys through different projects.
"There's a lot to look forward to and who knows-maybe we'll all get up and play together. The wheels of creativity are turning at all times; it should be fun and could be epic."
See the tour dates here.
The band will be kicking off the tour on April 18th when they take part in the Monsters Of Rock Cruise that will also feature Tesla, Europe, Night Ranger, Extreme, KIX, and Queensryche.
Following the cruise, they will launch a club tour that will begin on April 24th in Houston, TX at Concert Pub North and conclude on May 6th in Los Angeles at the Whisky A Go Go.
See the tour dates here.
Carroll says in a statement: "Doctors say I can't drum for three to four weeks. I was looking forward to this show for many reasons, but the biggest one is the fact that I lost my mother to cancer 11 years ago. It was important to me and Death Angel to be a part of this great cause.
"This will also be the first show I have ever cancelled in the 27 years I've been playing live, so this is hitting me on multiple levels."
The band tried to to find a replacement for Carroll, no one was able to step in at short notice. Carroll continues: "We decided there wasn't enough time to teach someone the set and make it presentable. The last thing we want to do is put on an unequal performance. People deserve better than that." Read more
here.
Candlemass say in a statement: "Our bass player and songwriter engine Leif Edling will, unfortunately, be off stage a year yet because of health issues. We will wave the flag high with our keyboard player Per Wiberg or Jorgen Sandstrom who will do the bass work instead while Leif is getting better."
The Swedish doom metal outfit are lined up to play this year's TeamRock-sponsored Hammerfest VII on the weekend of March 12-15 at Hafan Y Mor Holiday Park, Pwllheli, Wales. Read more
here.
The film is based on a graphic novel by Joe Casey and Christ Burnham, about a Los Angeles cop who is resurrected every time he's killed in the line of duty. Production begins next month.
Crahan recently told The Pulse of Radio: "I've been working my way toward directing a feature for a long time. I've been preparing myself with art my whole life and preparing myself for directing and scriptwriting.
"I honestly believe that we are going to create the next Clockwork Orange and I'm going to die trying because that's my life." Read more
here.
The bootleg was recorded in five London clubs during the three-month period in which Mayall, Peter Green, John McVie and Mick Fleetwood worked together.
Mayall secured the five-decade-old tapes recently and restored them with the help of Forty Below Records' Eric Corne, who says: "While the source recording was very rough and the final result is certainly not hi-fidelity, it does succeed in allowing us to hear how spectacular these performances were." Read more
here.
But last year, Radiohead fan site The King Of Gear heard from a reader who'd recognized the Ebony Frost Fender Telecaster Plus, and arranged its return.
The King Of Gear explains: "Someone recognised Jonny's Telecaster as one they'd purchased in Denver, the city in which all the band's gear was stolen on October 4, 1995. I directed them to Plank, the band's guitar tech, and the result was that the guitar was returned to Jonny." Read more
here.
The tour will be kicking off on March 25th in Denver, CO at the Marquis Theater and the band have announced dates up until April 22nd in Colorado Springs, CO at the Black Sheep, with more dates still to be announced.
Orgy's Jay Gordon had the following to say about the tour, "Orgy 'Sick Talk' Spring tour update: I've been hangin' with my boy Ron Underwood from 9 Electric - 9E, since the Wayne Static Memorial Show about taking them with us on this tour, so we threw some tentative dates together with 9E, and said it was a go for them. So we are pleased to announce the lineup for the Sick Talk Tour. Orgy will be taking 9E as Special Guest and opening the show will be hard hitting Death Valley High - DVH from my hometown San Francisco.
"We're excited to bring the fans a super-charged, and chaotic show, as well as introduce to fans some fresh new music. Orgy has been writing and recording over the past year which will be coming by way of 2 EP's, the first of which is titled Talk Sick will be released to coincide with the start of the tour the end of March. The second EP is tentative titled Entropy will be released 4 - 6 months later.
"We are very excited about the Spring tour and a fresh new start for Orgy, and we will not stop developing and creating fresh new music until we have regained the trust and interest from all of our fans from the past as well as capture the attention of fans in the near future and beyond. We hope to get as many people onboard with us to help us push to the next level, as possible. Please come and support the shows. We will not disappoint. XJXGXOXRXGXYX."
See the tour dates here.
According to vocalist Justin Hawkins, the song has "not one but two dramatic monologues, a guitar solo that has been declared 'irresponsible', a riff that weakens lady-knees and a chorus that makes grown men sh*t directly into their pants."
"The lyrics describe the Viking invasion of East Anglia which culminated in the decapitation of Edmund the Martyr," he adds. "So yeah, classic Darkness."
The album sees the debut of new drummer Emily Dolan Davies, who replaces original drummer Ed Graham after a split last year. Davies will make her live debut with The Darkness at an intimate "secret" show March 4 on Ireland's Valentia Island as part of a 10-show run across the country to road test their new material next month.
Check out the first single
here.
"No studio has been chosen and no songs are written yet," Thayil tells the Sydney Morning Herald. "When we finish these shows in Australia we'll spend a month or more working on it. It's definitely going to happen.
"We worked with producer Adam Kasper on our last album [2012's "King Animal"] and I wouldn't be surprised if we hook up with him again," he added. Read more
here.
He explains via his blog: "Having been fascinated by the evocative music on my trip to Morocco, I decided to have a go at learning one of those exotic instruments of the desert.
"I bought an Iraqi oud - a fretless lute - and took on the challenge. It's very hard to tune, but intriguing to play when those magical sounds start to speak back to you. My oud performance features briefly a couple of times on Dust And Dreams, a piece of music designed to evoke the soul of the desert." Read more
here.
Now Baumann, who played a key role during Tangerine Dream's 1970s trio era alongside Christopher Franke from 1971 to 1975 then 1975 to 1977, reveals he'd been in discussions with Froese to return to the band.
He says via Facebook: "As all of you, I was shocked by Edgar's sudden departure. Just a month ago I visited him in Austria making plans for a new project.
"Well, there will be a new project, and Edgar's fingerprints will be all over it. His personality will permeate everything that is composed and produced under the TD name." Read more
here.
He says: "Been reflecting a lot. A little over a year away from Testament I see everything so much different. There's also something about death that helps to put other things in perspective so I think Fozz's passing may actually be 'helping' me in a way.
"I'd have to say I was under duress the entire eight and a half years I was back in the band. I came back with nothing, under a great deal of stress about trying to keep up an appearance that was consistent with being in a band of this stature, while being sh*t broke and struggling.
"That's exhausting and I was never able to get ahead, even a little. They fully took advantage, knowing if I didn't just do the gigs and get that next cheque, I couldn't pay my bills. There was no negotiating. There was a, 'F*** off, take it or we'll get someone that will. We own everything and you're not sh*t anyway' kind of attitude. I never once felt grounded or balanced. It wasn't possible." Read more
here.
Wilko tells the Cambridge News: "Adenbrooke's, to me, is a wonderful, magical place. They saved my life. To me, everybody from the consultants to the cleaners to the nurses are heroes."
Surgeon Emannual Huguet, who oversaw the procedure, says: "Wilko was very brave throughout - it's wonderful to see him return to what he does brilliantly." Read more
here.
"I knew at that time there was a big focus on guitar, so I wanted to make it a tour de force for the guitar," explains Page (transcribed by hennemusic). "So for my playing, it was going to be everything from acoustic through to electric, there's pedal steel on it - there's everything - I'm throwing everything on it to get all these guitar textures. So it goes from really rude bottleneck through to very sensitive acoustic. It was going to be a guitar tour de force but not at the expense of the other members - this was they key to it. Everyone needed to be really heard."
The guitarist joined Cornell for "An Evening With Jimmy Page" at the Ace Hotel Theater in November to discuss his photographic autobiography, "Jimmy Page By Jimmy Page", and his own history as a musician.
In part 1, Page discussed his early years and musical upbringing with host Cornell in front of a live audience, and in part 2 he spoke about how he came to join The Yardbirds. Watch the video
here.
He's paid Facebook close to $3000 to promote his band - but reckons the social media giant's "greed" is now unjustifiable. He says: "Facebook has raised its rates on bands and small businesses promoting themselves through their website several times over the last few years - asking to pay even more money to simply reach the audience the band or small business has already acquired.
"It's getting to a point where it's blatant greed and is unjustifiable. Bands like us for example, especially the unsigned ones, pay Facebook a hefty amount of money for an ad just to get potential new fans to visit our page.
"On top of that, now we must pay a large fee to talk to the fans already subscribed to our page. So we're paying double on a service that we heavily rely on." Read more
here.
In the clip, he talks about money, his appearance, smashing up his equipment on stage and his thoughts on the way he'd like to have seen music and visuals combine in the future.
When questioned about being credited as giving birth to psychedelic music, he says: "The way I write is a clash between reality and fantasy. You have to use fantasy to show different sides of reality - that's how it can bend. I don't really round it off too good - it's almost naked. I just hate to be in one corner. I hate to be just a guitar player, or a songwriter, or a tap dancer."
And he also gives his thoughts on the music scene at the time, calling it "too heavy." He continues: "There's too many heavy songs out nowadays - music is getting too heavy, almost to the state of unbearable. I have this one little saying, 'When things get too heavy just call me helium - the lightest known gas to man.'
Check out the video
here.
That followed a rebalancing of influences with the departure of guitarist Jesper Stromblad in 2010 and the return of Niclas Engelin. Guitarist Bjorn Gelotte tells Noisecreep: "There's no way you can please everybody. There's no way you can listen to everybody. The only thing we know is what we like, the five of us in the band."
Frontman Anders Friden says: "We love our fans and we're so grateful that we can do what we do - travel the world and work with our hobby." But he adds: "We cannot listen to 1000 people - that would be an extremely confusing song," he says. "We are the ones who'll live with this album for ever, so we have to be happy with what we've done."
Watch the interview
here.
The Thin Lizzy offshoot set their own agenda by changing their name ahead of their debut album All Hell Breaks Loose. Follow-up The Killer Instinct is out today via Nuclear Blast.
Former Almighty vocalist Warwick tells Metal Forces: "I've been singing Phil's songs for almost five years now and I completely immersed myself in the role. When I was given the job I wanted to do it justice.
"I studied the man's lyrics, his poetry. I've learned so much from him - I think it's made me a better performer, a better writer and a better musician. That's part of who I am now."
While their first album was planned to sound more like Lizzy, Warwick believes there's less pressure now. "We'll always still have that vibe because of what we do," he says, "but I think we can try anything." Read more
here.
They briefly appeared in the movie to perform the song, but strangely it's been absent from their lives sets ever since then. That is, until now. Touring Australia as part of the Soundwave festival's lineup over the weekend, Soundgarden performed the song for the first time since 1992 in Adelaide and Melbourne.
No one would confuse this performance for a perfect representation of the song, but it's nonetheless an admirable effort considering that they haven't performed the song in more than two decades, and by the end they seem to have locked into the groove.
Check it out
here.
The split was confirmed last month by guitarist Rich after drummer Steve Gorman had previously hinted they wouldn't be returning from hiatus to celebrate their quarter-century.
Now Chris tells HuffPost Live: "We never really had much of a relationship. You write some songs and that record sells six million copies, then you're supposed to keep going. Then there's family and there's responsibility and stuff."
But he continues: "I'm proud of the work. The Black Crowes gave me everything - the sheer, humble gift that a weird kid in Atlanta in the 80s could find his way through the world as an artist." Read more
here.
Richards was called up by AC/DC in October to appear in two videos for 17th album Rock Or Bust, as a result of the continuing issues faced by drummer Phil Rudd.
Richards recently said: "I heard the songs an hour or so before we went on to the set to start filming. I played it over several times and did a bit of air-drumming to it. The band were fantastic - they made me so welcome and we had a great time shooting."
Rudd has been replaced by Chris Slade for the band's world tour. Watch the video
here.
He fronted Anthrax from 1992 to 2005 then left when they attempted to regroup with classic-era frontman Joey Belladonna. When that failed they hired Dan Nelson but dismissed him in 2009. Bush returned to fill the gap until Belladonna's permanent return in 2010.
Bush tells Lucas H Gordon: "I haven't talked to Charlie in probably a couple of years, which is a little sad because I was close with him. But things got kind of weird. Maybe he doesn't want to talk or something. I'm cool - it's all good on my end." Read more
here.
The way the song "Turn Back Time" is laid out it just screamed for a duet from Deen and me. We were in Portland in the studio and Deen started singing the first verse on the song�kinda low for his voice but he put it down. I took the second half of the verse and kinda played around with the melody still keeping it within the realm of the song.
Well, Deeno took that as a big green light and ripped into the second verse and then the chorus after the blazing solo DA had just laid down�I'm thinking, oh great� these guys are firing on all eight cylinders what am I supposed to do now with a harmony on this wild last chorus that Deen just killed.
The producer Alessandro was in the control room trying to come up with some harmony note for the last chorus and I said to him just roll the song and hit record. He started to say something and I said "just roll it and record", all the while thinking to myself what the hell am I gonna sing????
The chorus came on and boom I just started answering Deen's awesome chorus lines with lines of my own�sorta like we were talking back and forth with each other, line for line, note for note.
When I was finished Alessandro just stopped the song, looked at Deen and Doug, and they all together threw the horns with both hands. Ale said "Perfecto". I said "what the hell did I sing?" He laughed and played it back.
We left it as it was; what both Deeno and I did on the first run through of the song�.didn't even try and sing it again. Now that's the way to record a vocal. I inspired Deen, Deeno inspired me and thankfully we didn't try to mess with it!!
Hearing is believing. Now that you know the story behind the song, listen for yourself as you watch the video here and learn more about the album
right here!
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