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Today, however, The Royalties are no punchline. Finally crystallizing in late 2005, the duo of Haltbakk and Rambj�r released their debut-album to a cavalcade of critical praise, and even landed a Norwegian Grammy nomination for Best Pop Album in 2007. No laugh-track for those kind of accolades.
Earlier this year, the band followed up their initial success with their rousing sophomore offering, The Lost Royalties, produced by Haltbakk, and bearing the new contributions of Mari Persen.
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What you need to do: 1.) Log onto www.redmusic.com/lordihorror where you will enter your cell number to receive a code to download the new Lordi single "Bite It Like A Bulldog" for free.
2.) Go to the official YouTube group(http://www.youtube.com/user/lordihorrorcontest) where you will upload your very own horror video, using the free track of "Bite It Like A Bulldog" you downloaded as the background music.
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Born in London but Greek Cypriot by origin, Helena Costas studied violin from ages 7 to 13, then taught herself guitar and keyboards. Like a cryptic, symbolic dream, the music of Joker's Daughter feeds on a range of conscious and unconscious influences, from classical violin training to Arthurian legend to a certain fascination with food. The result is haunting, infectious and playful, a rich harvest from a broad psychic landscape.
In 2003, Helena began sending her home recordings to artist/producer Danger Mouse, a correspondence that continued as his career grew. The two artists discovered a natural affinity, and launched a collaboration, which they dubbed Joker's Daughter after one of Helena's many shifting personae.
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The current tour is in anticipation of the Oct. 28 release of the band's second Prosthetic Records effort, 'Dystopia,' which will see a European release Nov. 10 to coordinate with the band's next touring run: a month-long trek through Europe as direct support to fellow Canadians Cryptopsy.
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Slank's decidedly Western sound has a broad appeal to lovers of pop music with a rock edge. Its lyrics, however, draw from its Indonesian foundation, focusing on the trials and tribulations of living in a struggling, third-world country. The album's title, in fact, is not an ode to the lovesick, but a reference to the Indonesian people.
"We come from a country where there are still injustices and corruption occurring," said drummer Bimbim. "That's why there are many broken hearted. But in this state we still have the faith and spirit to put the anthem on, the anthem for the broken hearted." After achieving momentous success at home, Slank now has its eyes set on the rest of the world.
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The band recently returned to the U.S. to kick off a fall/winter tour prepping the album release. Earlier this summer, the band previewed material from the upcoming full-length release during a 20+ run of the east coast.
Dat Iz Voodoo was recorded through 2007 and 2008, in St. Anns, Trinidad at Imagi Studios in part with legendary producer and engineer Jeff Glixman (Black Sabbath, Bob Marley, Kansas). Together, the band laid down 12 genre-bending tracks, described as "Rise-era Bad Brains," their insistent and diverse musical styles fuse together a modern-edged metallic rock sound with reggae.
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The tour is the band's first headlining tour in a year and we'll see them play alongside bands such as Nim Vind, Calabrese, Creature Feature and Sisters of Mercy.
In a move to make their shows more "economically friendly" for their fans experiencing the current financial crisis, the band has elected to keep ticket prices at each show below $15! As guitarist Robbie Kirkham jokingly quipped, "It is a smart move [to keep ticket costs low] on our part actually, because not only do people not have to shell out half their pay-check to see us, we can suck and they don't feel like they wasted to much money. It's a win-win situation!"
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In a celebrity-driven industry rife with Faustian deals served up to the public via false advertising, Duarte has demonstrated that his soul � and his love of the blues � is not for sale. When listening to the Chris Duarte Band's new record, Vantage Point (Blues Bureau/Shrapnel), one senses Duarte's rejuvenated spirit, renewed creative breadth, an ability to tap into the blues' timelessness, and Duarte's rekindling of the youth exuberance he possessed during the making of his breakthrough debut Texas Sugar/Strat Magik.
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. Oasis - Dig Out Your Soul |
. Machinery - The Passing |
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