Broken
w/ Engines of Aggression, and Candy Ass
by
Goth Brooks
When
and Where? The Dragonfly Wednesday October 18th, 2000
I didn’t realize how much I missed the
excitement that comes from an excursion into the seedy little section of
L.A. known as Hollywood. I was anticipating a great night from a
band that came highly recommended from fans and friends of Broken alike.
I hadn’t realized how long it’d been since I threw myself into the psychotic
kind of Rock n’Roll environment that only exists in Clubs like The Dragonfly
these days. As soon as antiGUY and me got off the 101 freeway and
exited onto Santa Monica Blvd, we could smell the stench of Hollywood debauchery,
and psychotic energy lingering in the air.
Rock Stars, Porn Stars, and a virtual plethora
of interesting, yet unsavory looking characters. The Dragonfly was
full of them. I was there to see Broken, and normally don’t bother
checking out opening acts unless I hear something really special blasting
out of the front door while standing outside waiting for the focal point
of the night to happen. My habit is to usually kick it out front
and do a little schmoozing myself, and on this particular night to check
out all the beautiful creatures. It’s Hollywood man! What else
would you expect?
Candy Ass came blasting right through the
walls of the Dragonfly with a sound so catchy that we had to get in the
door right away to see who was making all the beautiful racket. Candy
Ass is a
New York band, and I’m not sure if they’ve permanently transplanted themselves
to L.A., but whether they’re here permanently or not, I’m gonna try to
catch another one of their upcoming shows. Candy Ass is a girl group
who play killer punk/pop songs with all the New York vibe intact.
Take Galadriel’s penchant for all things Blondie-esque, throw in the bands
ability to write lighthearted and comical lyrics dealing with stuff like
befriending a girl you don’t like just to steal her boyfriend, throw in
the fact that little Hopey Rock is one of the few female guitar players
who doesn’t really play guitar like a girl, and that Karen Curious on bass
and Becky Wreck on drums are the most complimentary rhythm section this
band could possibly have, and there you have it, the amazing Candy Ass!
By the way Galadriel, I have 3 sisters who were all aspiring cheerleaders
as we were growing up. I remember the name of that move you do at
the end of “Popular Girls.” It’s called a “Hurkey,” and it rhymes
with Turkey!
I didn’t know L.A. Industrial Metallists
Engines
of Aggression was back together and would be on this bill until I saw
bassist Bulldog poised in his ready to rock stance on the left side of
the stage. EOA was a signed band five or six years ago that crashed
and burned due to all the things that come along with “bigness.”
They did a few national tours, released an excellent CD called “Speak”,
kicked Bulldog out of the band due to band infighting and personality clashes,
and it all just went to shit from there. I’m glad to see that Tripp
and Bulldog have buried the hatchet, enlisted new players Michael on guitar,
and Gene on drums, and are back to creating the truly original sound that
gained them their loyal following in the first place. The band hasn’t
lost much in the time away from their former incessant live shows.
EOA tore into “New Shanghai” with all the charismatic presence of their
former selves, and a sound that’s heavier than I recall. I’m sure
Michael and Gene have something to do with that. Other people and
myself used to consider EOA to sound like a wimpier version of Ministry.
Seeing and hearing them on this night just proves to me how incredible
they are in their ability to evolve musically by improving the sound of
the older material, and to blow us away with their killer new stuff.
Engines of Aggression are truly the innovators, not the imitators.
I’m glad they’re back and going for round two.
Broken
are ten feet tall in my book. In the time I’ve been writing for antiMUSIC
I’ve had the opportunity to see my all-time favorite bands and my favorite
new bands live, and to cover those shows in my live reviews for antiMUSIC.
If you’ve read my articles, CD and live reviews, and feature articles,
you can see that I’m a fan of every band I’ve covered here, without exception.
If you can’t already guess, AC/DC was the concert event of the year for
me. And if you want to know what the club show of the year was for
me, I would have to say that far and away this was it. Broken is
a straight ahead Rock band that succeeds where bands like Buckcherry fail
after people realize there’sreally
no substantial weight to the tag “The Saviours of Rock n’Roll” bestowed
upon them. Broken on the other hand is without a doubt the real Rock
n’Roll deal. The band kicked things off with the opening number,
“Tear Down The Walls.” Broken was firing on all eight from the beginning
to the end of their 10-song set that included songs that successively got
better and better than the last. Shelley has the most incredible
Rock voice of any woman in Rock n’Roll that I’ve seen in recent years.
Shelley don’t fuck around, she comes to Rock. Guitarist Mick Barragan
makes it all look so easy, and his style is the same as all the most stellar
traditional guitar players. I crept up around the side of the stage
and to the side of the stage right in front of Mick, and I didn’t see a
million effects boxes or pedals at his feet. That’s pretty cool that
Mick’s only effects must be his fingers. What a Rock n’Roll concept!
Drummer Kelly Hagerman hits hard, and right on time, and bassist
Scott Shriner provides pounding low-end and an energetic persona to Broken’s
live show. I was even more blown away by Broken when they ended the
show with an incredible version of Sabbath’s “Hole In The Sky” off of Sabbath’s
“Sabotage” album. After talking to Mick a little bit on the back
patio where he was cooling off after the show, it kind of struck me funny
how stupefied I was in his presence. I kind of felt like Chris Farley
did on that “Saturday Night Live” sketch of the “Chris Farley Show” where
he’s interviewing Paul McCartney and he’s stuttering, mumbling, asking
stupid questions and basically just can’t seem to find his voice because
he’s so in awe of McCartney. That’s definitely what must have happened.
I was standing in the presence of greatness and I was awestruck!
Posted by a year later:
First I would like to express what I like about broken. Shelly is a great singer. It is a sad testament that there is not room for her or any of the other good women singers, in the music industry. I like their songs. Homocide Joyride and Get it on are great. Rock and roll should be simple. If I want to analyze chord structure I will go to mozart. Scott is foxy. What I don't like are the confederate flag tattoos. If I had any nerve I would have told her the night she showed them to Karen in front of me. But I don't and under the advice of a friend I didn't say anything to her. The confederate flag stands for the south's pre-civil war glory. The only difference before the civil war was slavery. That is what the flag stands for, it is not rock and roll rebellion it is ignorance and intimidating. The black community generally sees it as a reminder of 400 years of oppression under slavery. Rock music is a hybrid of blues, which is a black form of music. Maybe the old Skynrd band didn't think of that but it is incredibly insulting, and insulting your audience is, well you figure it out. It would be better if the guitar player's middle name was Horatio. Anyway I like the music. ciao
Posted by ClicheHaterStomper: You are green with envy aren't you little
buddy? I can feel your misdirected anymosity coming through my computer
screen. It must suck being a pathetic whining loser like you.
Posted by
ClicheHater: Broken are so over-rated. It must be nice
to have so many insider friends pave your way. That guy cannot play guitar
for sh*t, the clunky rhythm section with the simplicity of AC/DC but none
of the feel, and the Melissa Etheridge blues voice but overly pierced and
tatted rock and roll throwback singer who would scare herself if she accidently
came up with something meaningful to say. That whole scene is so has been
and clueless. Hello, it's 2001.
Posted by
Googimus: Isn't "Mick" Barragans real name Michael
Horatio Barragan?
T.REX
excuse me, it was done in the early nineties
by a band called Rhino Bucket. This sh*ts so old I forgot.
T.REX
this is your everyday AC/DC ripoff band.
This was done in the mid eighties by a band called Rhino Bucket. Nothing
special here.
Jim
Cool review. I have heard of Broken and
how good they are. I might have to try and catch a show of theirs as soon
they get around here.
Shytheel
Hey, I hope my harsh brand of humor didn't
turn anybody off to this article and is keeping them from posting here.
Bulldog is my friend and I was just busting his chops. Engines of Aggression
is NOT a homosexually oriented band if that's the vibe I put out about
them. Bulldog isn't a cum guzzling ghoul. He does however suck dick for
beer money. Heh heh heh, you fukk with the bull, you get the horns Bulldog.
Shytheel
I know that Bulldog dude. What a f*ckin
cum guzzling ghoul that guy is.
GB
I meant to spell it "discernment"
GOTH BROOKS
Max you are a a man of great discrernment(that
means a keen sense of judgement, perception, or insight). Keep tuning into
antiMUSIC and tell all your friends about us. The CD's will be available
soon. As soon as I find out I'll be sure to let you know.
Max
This is why antimusic is my favorite music
site you guys don't give a shyt if the bands are at the top of the charts
or on M(oney)TV you write about bands that kick ass! Where can I buy these
cd's?
Alex
I remember engines of aggression from
way back in the day. They had made it on the national level when they were
around five years ago. I'm stoked to see the band is back together again
and I wish them all the luck this time around. They are a truly incredible
band.
laugh now cry later
I just had to run to the bathroom and
check my shorts after hearing that candy ass song. I just listened to the
other two bands songs and i believe that all three of these bands sound
original in their own right. candy ass is a pop band and they're actually
good for a girl band. Engines of Aggression definitely sounds like Ministry
light but still hard industrial. And Goth hit the bullseye in his description
of Broken. They're for sure the real rock n roll deal. They fukking tear
it up man.
laugh now cry later
oh sheeeeet man! just heard popular girls
and still haven't stopped laughing!
CONVICTED
homegirls got some rad ink on her, I'm
sorry Goth didn't invite me to this show. but after hearing these songs
I do hereby solemly swear that this is what Rock and f*ckin' Roll is all
about. This band kicks ass!
achuuu
all the bands sounded killer why isn't
this stuff on emptyV?
Wayne Fukken Campbell
If Shelley were President her name would
be Babe Lincoln for sure. Broken fukken rocks!
Chris
Engines of Aggression truly rocked the
house. a truly awesome band.
Ross
also the other 2 bands were cool too.
candy ass was funny as hell.
Ross
Goth I thought you and antiguy were full
of it when you told fever about this band i listened to both songs and
your are fukna right on!
Dr Fever
Yo...this shyt rockz ballz!! I love it!
I love it! I love it! I love it!
WHORE
THEY F*CKING ROCK! Broken as they stand,
are one of the bands which make me regret not being in my twenties in the
Seventies. I can only imagine that the sound they put out is like that
of going to one of Rush's first concerts. Or catching April Wine at the
Whiskey back then, just some kick ass rock n roll. Shelly, my god girl
you make me happy to be a man! The lead guitar player what ever your name
is, you rock too, but mut damn, Shelly is hot! here's to seeing your name
in lights.....ROCKIN'
GOTH BROOKS
Click on pictures for larger images.