Here the Texas blues man issues a plea to a straying lover on the rhythmic dance tune "Baby, Please Come Home," turns in a quavering vocal and slide guitar take on "The Runaway Blues" that gives the song a swampy eeriness, and rockets down "Highway 666" which leads to you-know-where. Williams also plays the one-string, fretless instrument known as a diddley bow and part of the fun is trying to pick out those notes from among the guitar sounds (hint: check out mid-album cut "On My Way to Muskogee".)
Fans can take this album's title literally; the retro production techniques employed here give this record a vibe that will be irresistible to hipsters while also pleasing blues purists. The real deal indeed.
Share this article
On The Record: The dB's- Rick Monroe and the Hitmen- Atlas Maior- Stoned Jesus
Hot In The City: Lou Malnati's Pizzeria Opens in Surprise, Arizona
What's Doing With Dave Koz? Christmas Carols and Cool Cruises!
On The Record: Craft Recordings Announces Record Store Day Exclusives
Live: T Bone Burnett Rocks Phoenix
Three Days Grace Share First Adam Gontier Reunion Song 'Mayday'
Twenty On Pilots Share 'The Line' From Arcane League of Legends: Season 2 Soundtrack
Motley Crue Dr. Feelgood Pharmacy Independent Retail Takeovers Start Today
Nothing More Scores 3rd No. 1 With 'Angel Song'
Frontiers Rock Festival Returning After 6-Year Hiatus
Bury Tomorrow Unleash 'What If I Burn' Video
Converge Added To Fire in the Mountains Festival
Pop Evil Take Fans On 'Deathwalk' With New Video