Gagging bass and Theremin-esque pads kick and beat in "Trombone Solo". Squeaking static and moody saxophone swells on "Eagle". The fancy drum work at the end of this song seems to want to force the listener into listening further. They should, Metagami does get better at this point.

As the album finally begins to unwind, the baritone vocals begin to tone down. "Small Victory" steps back and takes a breather from Avagami's somewhat nauseating parodies. "Unoriginal" follows suit, and probably more so. At the end of this refreshing song, the listener delves into what Avagami could very well be, a concoction of moody beats and reverberating falsetto. Having been sparsely used, a mere twenty seconds of improvement depicts Avagami's great potential.

"Sickly Time" starts out with synth hooks ranging from Pokemon-esque 8-bit beats to a machine-driven down tempo. "Newager" starts with bustling piano keys and drum & bass followed by poppy electronica beats. "Never Let Me Down Again" bellows and yelps to echoing drums and deep, menacing bass. The sound and vocals make good use of one another.

For once, Metagami seems to be in complete control of itself in "Luxus", though unfortunately this is the last track. Atmospheric leads, hopeful sax and falsetto work to their highest potential to form a promising song that's short, but bittersweet.