From opener "Red Turned White", it is clear that AiH want to be heard after hearing their buzzing guitar rhythms, and catchy synth lines. Initially being known as a low-key and fastidious collective, AiH has emerged from the shell on their third, and much more rowdy full length. "Heart It Races" emanates a calypso feel with its resonating steel drums and bongos while Cameron Bird and Kellie Sutherland's vocals in "Hold Music" screech and stammer to jittery electronica beats. "Feather in a Baseball Cap" has memorable beats ranging from moody to atmospheric. The amiable "Underwater" sounds dreamy and lethargic with its wispy vocals and ambient beats. The intensely sweet "Like It or Not" will leave you missing AiH's In Case We Die days (especially after the repeating refrain "Her mom thinks she's in love with you"). They make it okay to be playful and smart without too much melodrama and romance, but only in this one song. Little of this album is actually playful; it is just great to dance to. "Debbie" actually offers some impressive old school beats, but lacks heart much like in "Lazy (Lazy)". "Nothings Wrong" simmers down with chatty vocals, but offers little else. "Same Old Innocence" stammers in vocals but still offers fairly intriguing beats and a capella backdrop making for a decent closer. Places Like This is too uncoordinated and bombastic to be considered a great album or even a good album, but it has its moments.