These musicians worked with Sadek to produce a noise experiment moving in and out of independently conceived death metal and Arabic music tracks. This sonic composition accompanies Sadek's uniquely installed drawings which juxtapose the iconographies of death metal and Middle Eastern fundamentalism, which outsiders often associate with darkness, moon worship, and anti-Christian fervour. "The Faceless" startles the audience into rethinking connections between these two frequently misunderstood and villified cultures.