A fan posted a photo on ACDCfans.net of himself with Angus and Stevie taken at the Take Five Cafe in Vancouver on April 30. It is presumed that Stevie is on hand to fill in on rhythm guitar while Malcolm is taking a break from the band due to his ill health.

In the decades since Led Zeppelin called it a day, they've rarely opened up their vaults to release non-album material. There's been a live album (2003′s How The West Was Won), a collection of BBC recordings (1997′s BBC Sessions), a compilation of outtakes (1982′s Coda) and the document of their one reunion concert (2012′s Celebration Day).

That's one of the reasons that the recent announcement that Zep would be reissuing their entire catalog with bonus tracks was such a big deal. The other: the original tapes were remastered by Jimmy Page himself.

The book also has an epic title, "Welcome to My Jungle: An Unauthorized Account of How a Regular Guy Like Me Survived Years of Touring with Guns N' Roses, Pet Wallabies, Crazed ... One of the Greatest Rock Bands of All Time".

According to the synopsis, Duswalt details his adventures with the band during the tour that spanned from 1991 to 1993 including the backstage run-in between Axl Rose and Nirvana frontman Kurt Cobain and his wife Courtney Love at the MTV Awards and he also recalls the night that Liz Taylor walked in on a nude Slash "and stayed awhile."

It read: "Do you Kurt Cobain take Courtney Michelle Love to be your lawful shredded wife, even when she's a bitch with zits and siphoning all yr money for doping and whoring."

The story was originally reported by CBS, after the note was made public by police in Seattle after they released a host of previously unseen photographs of the death scene.

The Austin Saya-directed live-action clip follows a man and woman as they search for each other on the streets of a big empty metropolis. Although still decidedly heavy, the track is a far cry from "Guilty All The Same," the album's blisteringly guitar-heavy song.

In an interview with Mike Shinoda, the co-frontman told Radio.com the music and passion on this record are rooted in the band's earliest memories of their favorite punk rock bands, those bands who weren't afraid to try something different. "There's an energy, an aggression and a meaning, like this attitude that I've got something to say and I need to get this out," he said.

"Serenity" comes from Schon's forthcoming album, "So U," which is set to be released in North America on May 20th and May 19th in other markets across the world.

Due May 13, the project was recorded last summer and co-produced by Danger Mouse and the band. Check out the full album stream via iTunes Radio here.

Fogerty took to the stage to join Bruce for the first two songs of his encore, "Green River" and "Proud Mary." The pair have a long shared history, including Springsteen inducting CCR into the Rock and Roll Hall of Fame in 1993.

Now he says: "Robin is still seriously unwell and incapable of performing anywhere close to his abilities. His condition has been worsened from aggravated sores on his back, chafed by hit guitar strap in rehearsals. He has also picked up an ear infection as his immune system is on the floor. Playing shows in his condition would have been physically dangerous and recovery on a tour bus impossible.

Jones has appeared live with Seasick Steve several times in recent years, usually at large music festival events. The annual Bonnaroo Music & Arts Festival happens June 12 - 15 at Great Stage Park on a 700-acre farm in Manchester, Tennessee.

Published April 8, the 432-page memoir chronicles Stanley's life and rise to global success with KISS, which he co-founded in January of 1973 with bassist Gene Simmons from the ashes of the pair's previous band, Wicked Lester.

The California band's seventh all-original studio album was produced by the band with some help from legendary producer Tom Zutaut and was recorded at bassist Brian Wheat's J Street Recorders.

"We went in more prepared with the songs and ideas way more than 'Forever More,'" says guitarist Frank Hannon, "and the style is pure Tesla back to our roots."

The project includes different versions of the 19th century pop standard "Daisy Bell (Bicycle Built for Two)", according to The Hollywood Reporter. Written in 1892, it was a hit song of the time and was later popularized in the 1968 film "2001: A Space Odyssey".

Pearcy walked out for what he says was the final time last month, although he later added he'd like to complete one last album with the band.

But Blotzer appears to distance himself from the concept, telling That Metal Show (via Blabbermouth): "Everything he says is delusional and complete lies. I have two pages of notes here that I can refute anything he says. He's so destructive.

The Myrtle Beach concert was one of the first of Zombie's newly-launched spring US tour in support of his latest album, "Venomous Rat Regeneration Vendor."

On May 20, the rocker will released a new live DVD package, "The Zombie Horror Picture Show." The project captures Zombie in concert last summer in Houston (Aug 3) and Dallas (Aug 4) during the final two shows of the 2013 Rockstar Energy Drink Mayhem Festival.

Previous covers throughout the band's 2014 tour include Prince, Stevie Wonder, Boys II Men and Blondie. Last month, Arcade Fire announced "We Exist" as their next single, which according to frontman Win Butler is about "a gay kid talking to his dad" about equality.

The band released a teaser for the clip, which was shot at Coachella and features Spider-Man star Andrew Garfield, during this past Saturday's episode of Saturday Night Live, hosted by Garfield.

Available on Quest, Freeview Channel 38 starting May 8, "Cars That Rock" follows Johnson as he pursues his passion of cars, looking into the history, meeting the fanatics and of racing in general.

Over six 60-minute episodes, Johnson looks at six of his favorite makes of car - three from the U.K. and three from other parts of Europe. Johnson will drive in Mille Miglia 2014, a vintage car race taking place in Italy between May 15th - 18th.

"Call Me Up" is a song about keeping love alive. It is a plea from a distant lover for a sign from his belle that she's out there and that he is needed. It is a message that states, no matter what happens to you, I will be there for you, perhaps not in physical presence, for, "I'm not there," but if my body cannot be there to comfort you, at least my voice will be the key to your peace of mind until that glorious moment where I get to hold you. It can be taken literally, I will take anybody's call anytime they need a friend to talk to, but it also counts for our music. "When you're standing at the corner of the end of the road and it's obvious your heart is going to explode, call me up, I'll be right down," could double as, 'put on this song.' I want you to know we all feel pain and music is the universal escape.

When I wrote it I was in a state of confusion with my woman. We fought tooth and nail to be together while I was on the road, but it wasn't really possible at the time. We knew what we signed up for and I was desperate for her to "remind me why we're troubled?" Anyone who travels a lot knows that communication is the key to keeping that love alive, hence "Call Me Up." I am a big advocate for the telephonic exchange that we seem to be shying away from in this text-based society. Emotion comes through loud and clear through the human voice where it can often be lost within the framework of a text message. I've always lived by the rule that when I think of someone, I call them. Friendship and love are the most precious of things, and sometimes all you have to do to keep it alive is, simply, "Call Me Up."

Musically the song flowed out of me start to finish and originally had four more verses. One being, "tell a story don't be boring cause I'm ripe for California, get help now or get out, when traffic is so bad that there's no end in sight and your fists are falling fast at the end of the fight call me up, I'll be right down." At the time of writing it, I was writing songs about California almost daily, and the self-fulfilling prophecy came true as we ended up moving there soon after.

When I randomly met the man who would become our manager, Jerry Heller (Google him) on vacation at a pool in Miami, he asked me to play him some music. I immediately showed him a demo of "Call Me Up." He said, "That's a hit song with the right producer." Originally that was the only song we were going to cut in LA, but the sunshine reeled us in and we stayed for almost three years. Looks like Jerry's ear is as strong as ever.

We are very proud of the success this song has garnered us and seeing people around the country singing it back to us is the highest honor imaginable.